Placeholder: A ghost that can be seen in a mirror and menacingly breaking through into the real world, apparitional textures A ghost that can be seen in a mirror and menacingly breaking through into the real world, apparitional textures

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Prompt

A ghost that can be seen in a mirror and menacingly breaking through into the real world, apparitional textures

2 years ago

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Model

Kandinsky

Guidance Scale

7

Dimensions

768 × 768

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A ghost that can be seen in a mirror and menacingly breaking through into the real world, apparitional textures
Super creepy spectral ghost, fading dreamscape, Ghostly transparent gossamer see-through gauzy old grandmother's ghost in a rocking chair in an old healily cobwebbed basement, decay detrius, creepy antique water heater, by Junji Ito, by Dave McKean, by Zdzislaw Beksinski, fantastic horror art, dramatic, kinetic, eerie primary colors, digital illustration.
nihilism, Slenderman mourning. gnostic emptiness, by Martyn Turner and Wassily Kandinsky, surreal, horror, double exposure, complex composition
portrait of a cursed mirror that only reflects photo negatives of mournful faces, by George Grie and Yves Tanguy and Brett Weston, color photorealism, natural colors, palpable textures, distinctive visceral style, detailed line work, surrealism powerhouse, opulent shadows, menacing illusions.
Looming in the front door are three surreal hulking unnaturally tall trick-or-treating ghosts clad in wrinkled bedsheets, eerie and creepy, surreal Photorealism, by Joel-Peter Witkin, color photo, scary and dramatic, nighttime, perspective shot from inside the house.
small closet in a old house where a long leggy monster is crammed in trying to hide in the recesses, creepy, scary, by Boris Groh, "Visual Necromancy"
low res, low quality picture, high film grain, terrifying scene of a ghostly girl wearing a long ghostly white gown leaning out from behind a dumpster on a foggy night, found footage horror, low contrast, night vision, static haze
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
person sits up in a dimly lit bed gazing out the window into a dark, moonless night, where a ghostly apparition of a gaunt Victorian-dressed doll, shrouded in a thick, misty fog, hovers just beyond the panes, its presence eerie and foreboding, a bony, spectral hand beckons with a long, spindly finger, reminiscent of the macabre illustrations of Edward Gorey, yet imbued with the mystical, dreamlike quality of Gertrude Abercrombie's surrealist style, the atmosphere is heavy with malevolent intent
Double exposure of creepy decayed house backlit with giant moon, Bayou swamp at midnight, surreal nightmare art, dark cyan - indigo color scheme, by Chris Von Allsberg, by Kay Nielson, haunted house, creepy, horror, dripping dark atmosphere, wispy opalescent dark sky apparitions
Nightmare Spirits of the Mari Lywd, Lovecraftian otherworldly nightmare effigies, by Dan Mahurin, horror poster art,
cursed mirror that reflects photo negatives of mournful faces, by Yves Tanguy and Brooke Shaden, color photorealism, natural colors, palpable textures, distinctive visceral style, detailed line work, surrealism powerhouse, opulent shadows, menacing illusions.
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