Placeholder: Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

Back to Profile

@HorrorAuC

Prompt

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

face, cels

3 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Image Strength

0.5

Dimensions

1024 × 1024

Similar

Creepy levitating woman fading ghost floating off the ground in eerie decaying basement, head slumped unnaturally forward, tattered asylum gown, ghostly visage non-material translucent entity, by Wayne Barlow, by Jeremy Mann, by Dave Kendall, eerie dark colors, rough matte oil painting.
Nightmare Spirits of the Mari Lywd, Lovecraftian otherworldly effigy nightmare, 'Scary stories to tell in the dark' horror art aesthetic. by Stephen Gammell, by Kay Nielsen, by Dan Mahurin, horror poster art, blacklight eerie pastel color ink illustration, creepy, Eldritch, opulent shadows, by Wes Benscoter and Colin McCahon, moody, expressionism, sinister macabre
High concept art by Zdzislaw Beksinski, horror movie aesthetic, digital painting, in an empty field a fearsome deep-sea diver who has a television screen on his helmet broadcasting a picture of a grim reaper face guarding a standalone wooden doorway revealing a portal of brilliant light, sinister, creepy, concept art, oddball masterpiece, sfumato, complex contrast
Lovecraftian blasphemies, eldritch weirdling fear eaters, dramatic Ink illustration by Stephen Gammell and Dan Mahurin and Graham Sutherland, heavily inspired by the unsettling symbolism of Bosch, flourishes of Amanda Beardsley, dark pastel colors and hues, weird, diagonal composition, uncentered, elegant macabre death frequencies, moody, wonderfully grotesque
Unsettling visual of a sentient ghost outside bedroom window, crafted by the imaginative Stephen Grammell, with additional touches by the eccentric Zdzislaw Beksinski, image stirring deep-seated insomnia, surreal masterpiece laden with symbolism, realistic, detailed, digital painting
Creepy levitating woman fading ghost floating off the ground in eerie decaying basement, head slumped unnaturally forward, tattered asylum gown, ghostly visage non-material translucent entity, by Denis Forkas, by Jeremy Mann, by Dave Kendall, eerie dark colors, rough matte oil painting.
evil undead peaching preacher at intimidating pulpit, by Michael Whelan and Stephen Gammell, horror art, alcohol oil painting, expansive, dark colors, vivid Lovecraftian preacher juxtaposed against an enveloping black tentacle rich nightmare, palpable textures, distressing hues, Whelan's distinctive visceral style, rich sharp color, modern horror
Creepy levitating woman fading ghost in an asylum gown in eerie decaying basement, ghostly visage non-material translucent entity, levitation, by Denis Forkas, by Robert Oxley, eerie dark colors, rough matte oil painting.
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
Nightmare Spirits of the Mari Lywd, Lovecraftian otherworldly effigy, 'Scary stories to tell in the dark' horror aesthetic, by Stephen Gammell, by Kay Nielsen, by Dan Mahurin, horror poster art, blacklight eerie pastel color ink illustration, creepy, eerie, scary colors, 3d octane render, opulent shadows, by Wes Benscoter and Arthur Secunda, moody, impressionism, grotesque and macabre
malignancy of nightmares depicting a fear of being alone and a conveyor belt of faceless heads, trading high on the Human Misery index, Style by Zdzislaw Beksinski and Stephen Gammell and Colin McCahon, surreal horror art, nightmarish atmosphere, dynamic composition, sfumato, dark colors, based on the imagery of Zdzislaw Beksinski
Lovecraftian malignant Nightmare Eulogies, by Stephen Gammell, by Kay Nielsen, by H.R. Giger and Victor Pasmore, uncentered, offset composition, dynamic diagonal composition, eerie, sinister, vivid spooky colors, expansive, impossibly magnificent depth of field, 3D octane render, opulent detail, weird, Glory of the Grotesque
Terms of Service • Privacy Policy

© 2024 Stablecog, Inc.