Placeholder: Exponential lunar paradigm shift, abstract surreal horror, by Dave McKean and Arthur Secunda and Stephen Gammell, acid wash mind-bending illustration; asymmetric, neon dark shine burn, atmosphere guided by N(t)=N0​⋅e−kt Exponential lunar paradigm shift, abstract surreal horror, by Dave McKean and Arthur Secunda and Stephen Gammell, acid wash mind-bending illustration; asymmetric, neon dark shine burn, atmosphere guided by N(t)=N0​⋅e−kt

Back to Profile

@HorrorAuC

Prompt

Exponential lunar paradigm shift, abstract surreal horror, by Dave McKean and Arthur Secunda and Stephen Gammell, acid wash mind-bending illustration; asymmetric, neon dark shine burn, atmosphere guided by N(t)=N0​⋅e−kt

text, writing,

5 months ago

Generate Similar

Explore Similar

Model

Kandinsky 2.2

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon
Liminal Abominations, by Stephen Gammell and Gerald Scarfe and VS Gaitonde, warm colors, stylish and unsettling abstract horror art, vestiges of horror, diagonal composition, album art, dot and dash vertical textures, dark shines war, complex contrast, N(t)=N0​⋅e−kt
Neon fear salivating, desire burning surreal gloom, Dark ghosts whisper - prey is near!, by Dave McKean and Stephen Gammell and Kay Neilsen, silkscreened horror art illustration; acid burn colors
Macabre Rapture End of days Revelation scene, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Santiago Caruso and Colin McCahon, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, opulent shadows
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
High concept art, dramatic unreal landscape, by Gerald Scarfe, large moon on horizon, smoke plumes in distance, dynamic composition, oddball masterpiece, sfumato, complex contrast
End of days Revelation scene ripples of memories, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Dave McKean and Victor Pasmore, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, stippling and frenetic ink techniques
Style by Graham Sutherland and Santiago Caruso, surreal horror art, nightmare residues of dark shine, orange and yellow hues, abstract shy unnatural paradox weirdlings, unsettling, asymmetric abstractions, juxtaposition of the uncanny and banal, diagonal composition, sharp focus, smooth, never seen before art from beyond
Reaper on the oilfields, mirage in black smoke tarnished with blood, Idols of steam and gods of steel. by Zdzislaw beksinski, western American horror,
Style by Graham Sutherland and Santiago Caruso, surreal abstract art, nightmare residues of dark shine, abstract shy unnatural paradox weirdlings, depth of field, unsettling, asymmetric abstractions, expansive, surreal masterpiece, juxtaposition of the uncanny and banal, diagonal composition, sharp focus, smooth, never seen before
Terms of Service • Privacy Policy

© 2024 Stablecog, Inc.