Placeholder: Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

@HorrorAuC

Prompt

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon

face, cels

5 months ago

Generate Similar

Explore Similar

Model

Kandinsky

Guidance Scale

7

Dimensions

768 × 768

Similar

Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and VS Gaitonde, diagonal composition, unbalanced, surreal horror, warm colors, eerie, scary warm colors, opulent shadows, by Colin McCahon
Style by Zdzislaw Beksinski and Ray Johnson and Phlegm, surreal abstract art, nightmare residues, unnatural shy anthropomorphic weirdling, unsettling, asymmetric abstractions, juxtaposition of the uncanny and banal, diagonal composition, sharp focus, never seen before
Macabre Rapture End of days Revelation scene, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Santiago Caruso and Colin McCahon, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, opulent shadows
Absurd and horrific, a peeking fictive nightmare behind the mundane, rule of thirds, by Yves Tanguy, by Oskar Fischinger, asymmetric surrealism, volumetric lighting, existential dread, colorful, dark colors, sharp focus, by Zdzislaw Beksinski,
Macabre Rapture End of days Revelation scene, matte oil painting with loose brush stroke, tumorous sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Santiago Caruso and Victor Pasmore, diagonal composition, unbalanced, surreal horror, eerie, scary warm colors, opulent shadows
Liminal lovecraftian Abominations, by Stephen Gammell and Gabriel Pacheco and VS Gaitonde, warm colors, stylish, unsettling horror art, vestiges of horror, dark shines war, guided by N(t)=N0​⋅e−kt
colorful eldritch reflections on horror, Surreal horror, style by Duy Hunyh and Zdzislaw Beksinski and Victor Pasmore and Ben Goossens, deep-seeded fear of the dark, unsettling, sinister abstraction, watercolor and ink, pointillism
Macabre Rapture End of days Revelation scene, loose brush stroke matte oil painting, sinner apotheosis, By John Lovett and Zdzislaw Beksinski and Phlegm, diagonal composition, unbalanced, abstract surreal horror, eerie, scary warm colors, Eldritch, by Colin McCahon
Reaper on the oilfields, mirage in black smoke tarnished with blood, Idols of steam and gods of steel. by Zdzislaw beksinski, western American horror,
Conflicting timelines and heretical symbols, End of days Revelation scene, surreal horror, warm colors, By Pejac, by Zdzislaw Beksinski, color acrylic painting, expressionism
Liminal lovecraftian Abominations, by Stephen Gammell and Pejac and Jim Starlin, warm colors, stylish, unsettling horror art, vestiges of horror, dark shines war, guided by N(t)=N0​⋅e−kt
Exponential lunar paradigm shift, abstract surreal horror, by Dave McKean and Arthur Secunda and Stephen Gammell, acid wash mind-bending illustration; asymmetric, neon dark shine burn, atmosphere guided by N(t)=N0​⋅e−kt

© 2024 Stablecog, Inc.