Placeholder: When a hammer sees everything as a nail, by Dave Felton, detailed line work, color ink sketch, drab colors, creepy. When a hammer sees everything as a nail, by Dave Felton, detailed line work, color ink sketch, drab colors, creepy.

Back to Profile

@HorrorAuC

Prompt

When a hammer sees everything as a nail, by Dave Felton, detailed line work, color ink sketch, drab colors, creepy.

uncentered, blurry, bad composition,

10 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Negative inflation, inverted yield curves into a death spiral, the crowding out effect, economic dismal science, morbid, surrealism, creepy, artistic, by Wotto, by Chris Bachalo, by Mark kostabi, by Tom Whalen, by Peter Adolf Wolfli, vivid brooding colors, cel shaded, existential angst, bulging cunning abstractions
Macabre At Midnight, psychedelic horror, hyperdetailed, maximalist, in the style of Skinner and Ian Miller and Sam Heimer
Random physical conception of freewill, style Anton Semienov, sinister expansive lunacy, inventiveness, originality, ultra detailed ambitious creation, clear and bright colors, matte oil painting, clever artistic rendering.
Master artwork by Michael Leunig and Gabriel Pacheco and Stephen Gammell, can you count the number of this beast?, watercolor and pen, creepy, sinister whimsy, surrealism, thick eerie colors
Five stages of Grief, by Ed Reinhardt and Mana Neyestani and Dave McKean, surreal horror, abstract grief afflicted elements, dramatic, color splash, weirdcore
I need someone to show me The things in life that I can't find, Occupy my mind!, Album Cover for "Paranoid" by "Black Sabbath", maximalist neo surrealism, fine detail illustration, intricate fine details, weirdcore.
Text "THE POETIC EDDA", gathered to witness the ending of times - Brought to life by gods of deceit and lies, artsy death-metal album art, HD, Style by Phlegm and Ray Johnson, surreal horror art, nightmarish, dynamic composition, dark color burn, based on the imagery of Zdzislaw Beksinski
Lovecraftian, nightmare contrivances, "Scary stories to tell in the dark" aesthetic, by Stephen Gammell, by Kay Nielsen, by Ian Miller, uncentered, (dynamic diagonal composition:1.6), eerie, sinister, rich colors, expansive, grand, impossible magnificence, octane render, opulent shadows, weird, Glory to the Grotesque, rule of thirds
Whimsical cutaway schematics of Halloween Pumpkin jack-o-lantern, medical illustration manual; by Tim Burton, by Shawn Tan, by Dan Mumford; hyperreal; deep vibrant rich orange, black, and red color scheme; fine ink illustration, intricate complex detail, whimsical.
Cutaway schematics of spooky Halloween Pumpkin jack-o-lantern, gristle wet visceral rictus tendons sloppy bile pumpkin spilling intestine guts; by Wes Benscoter, by George Herriman, by Jeremy Mann; hyperreal; deep vibrant rich orange, black, and red color scheme; intricate complex detail, grossly rotting muck.
Choirs of the underworld, Hell's mighty wrath Speaking in tongues, black metal band aesthetic. violent colors, By Gyorgy Kepes, by Anton Semenov and John Stephens, ink and watercolor illustration, opulent creepy, eerie, scary, sinister heavy metal album cover, gritty, by Jack Yerka, dramatic, expansive, religious symbols
I need someone to show me The things in life that I can't find, Occupy my mind!, Album Cover for "Paranoid" by "Black Sabbath", asymmetric neo surrealism, by Derek Riggs, fine detail color illustration, intricate fine details, sinister vibrant weirdcore.
Terms of Service • Privacy Policy

© 2024 Stablecog, Inc.