Placeholder: Lovecraftian, nightmare contrivances, "Scary stories to tell in the dark" aesthetic, by Stephen Gammell, by Kay Nielsen, by Ian Miller, uncentered, (dynamic diagonal composition:1.6), eerie, sinister, rich colors, expansive, grand, impossible magnificence, octane render, opulent shadows, weird, Glory to the Grotesque, rule of thirds Lovecraftian, nightmare contrivances, "Scary stories to tell in the dark" aesthetic, by Stephen Gammell, by Kay Nielsen, by Ian Miller, uncentered, (dynamic diagonal composition:1.6), eerie, sinister, rich colors, expansive, grand, impossible magnificence, octane render, opulent shadows, weird, Glory to the Grotesque, rule of thirds

@HorrorAuC

Prompt

Lovecraftian, nightmare contrivances, "Scary stories to tell in the dark" aesthetic, by Stephen Gammell, by Kay Nielsen, by Ian Miller, uncentered, (dynamic diagonal composition:1.6), eerie, sinister, rich colors, expansive, grand, impossible magnificence, octane render, opulent shadows, weird, Glory to the Grotesque, rule of thirds

blurry, bad composition, person in foreground,

8 months ago

Generate Similar

Explore Similar

Model

SDXL

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Lovecraftian entity malignantly useless doomsday elegance, Ink illustration by Stephen Gammell, heavily inspired by the unsettling symbolism of Zdzislaw beksinski, flourishes of Kay Nielsen, depicting a nightmare trapped within a dream, deep colorful hues, macabre reveries, creepy, moody, dramatic
Horror, plague of nightmares in Scary stories to tell in the dark style. by Stephen Gammell, by Kay Nielsen, abstract surreal horror, dream-like creepy, eerie, scary colors, 3d octane render, opulent shadows, by Petros Afshar, artistic abstract cosmic moons, smooth, ultra focused
Abstract surreal horror, heavy metal album art "CRADLE OF FILTH", artisticly grotesque, cosmic stars and shadows, by Ray Johnson and VS Gaitonde and Bosch and Beksinski
Macabre At Midnight, psychedelic horror, hyperdetailed, maximalist, in the style of Skinner and Ian Miller and Sam Heimer
Gorging on grief, gaunt Lovecraftian nightmare feast, 'Scary stories to tell in the dark' aesthetic. by Stephen Gammell, by Kay Nielsen, by Hieronymus Bosch, color ink illustration, creepy, eerie, scary colors, 3d octane render, opulent shadows, by Lori Early, ghostcore, smooth,
Negative inflation, inverted yield curves into a death spiral, the crowding out effect, economic dismal science, morbid, surrealism, creepy, artistic, by Wotto, by Chris Bachalo, by Mark kostabi, by Tom Whalen, by Peter Adolf Wolfli, vivid brooding colors, cel shaded, existential angst, bulging cunning abstractions
Lovecraftian, Welcome to the horror show, "Scary stories to tell in the dark" aesthetic, by Stephen Gammell, by Kay Nielsen, by Ian Miller, by Kay Sage, uncentered, tilted, dynamic diagonal composition, eerie, sinister, rich dark green color palate, expansive, grand, impossible magnificence, octane render, opulent shadows, weird, Glory to the Grotesque, rule of thirds
Lovecraftian terror, plague of nightmares, 'Scary stories to tell in the Dark' style. by Stephen Gammell, by Kay Nielsen, creepy, eerie, scary colors, 3d octane render, opulent shadows, by Denis Forkas, creepy, weird
Choirs of the underworld, Hell's mighty wrath Speaking in tongues, black metal band aesthetic. violent colors, By Gyorgy Kepes, by Anton Semenov and John Stephens, ink and watercolor illustration, opulent creepy, eerie, scary, sinister heavy metal album cover, gritty, by Jack Yerka, dramatic, expansive, religious symbols
Text "THE POETIC EDDA", gathered to witness the ending of times - Brought to life by gods of deceit and lies, artsy death-metal album art, HD, Style by Phlegm and Ray Johnson, surreal horror art, nightmarish, dynamic composition, dark color burn, based on the imagery of Zdzislaw Beksinski
Lovecraftian blasphemies, eldritch weirdling fear eaters, dramatic Ink illustration by Stephen Gammell and Pawel Kuczynski and Graham Sutherland, heavily inspired by the unsettling symbolism of Zdzislaw Beksinski, flourishes of Amanda Beardsley, expansive, grand, imperial colors, diagonal composition, uncentered, elegant macabre death frequencies, moody, wonderfully grotesque
Choirs of the underworld, Hell's mighty wrath Speaking in tongues, creepy eldritch aesthetic. dark violent colors, By Gabriel pacheco, by Zdzislaw Beksinski and Lisa Frank, ink and watercolor illustration, creepy, eerie, scary, opulent shadows, gritty, by Victor Pasmore, dramatic, expansive, religious symbols

© 2024 Stablecog, Inc.