Placeholder: abstract painting, Fragments of Forgotten Days.Charcoal, Metallic Ink: merging into walls of shadow., refugees, conformity, Analogue film photo, , 1950s, candid, retro analog, 35mm film, film grain, abstract painting, Fragments of Forgotten Days.Charcoal, Metallic Ink: merging into walls of shadow., refugees, conformity, Analogue film photo, , 1950s, candid, retro analog, 35mm film, film grain,

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@tuxy

Prompt

abstract painting, Fragments of Forgotten Days.Charcoal, Metallic Ink: merging into walls of shadow., refugees, conformity, Analogue film photo, , 1950s, candid, retro analog, 35mm film, film grain,

2 months ago

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Model

Kandinsky 2.2

Guidance Scale

7

Dimensions

1280 × 720

Similar

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a black and white drawing of a frosty, winter sunrise in a liminal space, inside out, neo-expressionism, grid montage, ink on parchment, cat and birds, the american gothic painting, 20th century, outstanding detail,
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abstract painting, flash of real emotion glimpsed in someone sitting across the room— their mind wandering away from whatever’s happening around them, their eyes lighting up with pensiveness or vulnerability or cosmic boredom—as if you could see backstage through a gap in the curtains, watching actors in costume mouthing their lines, fragments of bizarre sets waiting for some other production. , grotesque, art brut, outsider art, calotype combineted lime green and random color
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Flowing silhouettes cascade through a vertical composition in deep indigo and gray tones. The watercolor technique creates a sense of movement as figures blend and overlap, suggesting the connected nature of urban life. Negative space defines each form while architectural hints ground the scene in a city setting. The loose, fluid style emphasizes the rhythm of movement and the shared experience of urban dwelling.
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