Placeholder: Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours

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Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours

10 months ago

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Model

Kandinsky

Guidance Scale

7

Image Strength

0.5

Dimensions

768 × 768

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Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours
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Minimal abstract oil paintings of a desolate 1960. Orange wires. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours
Minimal abstract oil paintings of a desolate 1960. Orange wires. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon. Triadic colours
Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon.
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Minimal abstract oil paintings of a desolate 1960. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon.
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Minimal abstract oil paintings of a desolate 1960s carpark. Blurry lights. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon.
Minimal abstract oil paintings of a desolate concrete 1960s carpark. Road with distant Blurry lights. On the floor are concrete fragments and road markings . In the dark mysterious style of Justin Mortimer and Francis Bacon.
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