Placeholder: isometric cinematography, highrise subway tracks in downtown chicago, photorealistic satallite photo, muted colors, awardwinning perspective --ar 21:9 --style raw isometric cinematography, highrise subway tracks in downtown chicago, photorealistic satallite photo, muted colors, awardwinning perspective --ar 21:9 --style raw

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isometric cinematography, highrise subway tracks in downtown chicago, photorealistic satallite photo, muted colors, awardwinning perspective --ar 21:9 --style raw

1 year ago

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Model

SDXL

Guidance Scale

20

Dimensions

1536 × 640

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isometric cinematography, highrise subway tracks in downtown chicago, photorealistic satallite photo, muted colors, awardwinning perspective --ar 21:9 --style raw
Subject( A centipede bug train robot cyberpunk futurism), Location(A forest with a futuristic train station, Forest, Alberta, night, Feb, 1994), Frame(wide shot of passenger facesinterior train), Cam( Nikon, R3, anirmorphic lens, extreme bokeh blur, analog film grain,fuji film, color fading, film scratches, mold, vinegar syndrome, dirt, dust, emulsion damage, water damage, film tears, Cinemascope mumps, gate hair)
Subject( A centipede bug train robot cyberpunk futurism), Location(A forest with a futuristic train station, Forest, Alberta, night, Feb, 1994), Frame(wide shot of passenger facesinterior train), Cam( Nikon, R3, anirmorphic lens, extreme bokeh blur, analog film grain,fuji film, color fading, film scratches, mold, vinegar syndrome, dirt, dust, emulsion damage, water damage, film tears, Cinemascope mumps, gate hair)
Subject( A centipede bug train robot cyberpunk futurism), Location(A forest with a futuristic train station, Forest, Alberta, night, Feb, 1994), Frame(wide shot of passenger facesinterior train), Cam( Nikon, R3, anirmorphic lens, extreme bokeh blur, analog film grain,fuji film, color fading, film scratches, mold, vinegar syndrome, dirt, dust, emulsion damage, water damage, film tears, Cinemascope mumps, gate hair)
a hazy, foggy landscape with glowing neon lights in the distance, hinting at a futuristic cityscape where AI technology reigns supreme. The conceptual imagery evokes a sense of mystery and discovery, as well as emotional journeys both human and robotic in nature., Lush void, imperfection, natural lighting, cinematic, Fuji Film, Anamorphic lens, 2040s, deep depth of field, Solarpunk
Subject( A centipede bug train robot cyberpunk futurism), Location(A forest with a futuristic train station, Forest, Alberta, night, Feb, 1994), Frame(wide shot of passenger facesinterior train), Cam( Nikon, R3, anirmorphic lens, extreme bokeh blur, analog film grain,fuji film, color fading, film scratches, mold, vinegar syndrome, dirt, dust, emulsion damage, water damage, film tears, Cinemascope mumps, gate hair)
a hazy, foggy landscape with glowing neon lights in the distance, hinting at a futuristic cityscape where AI technology reigns supreme. The conceptual imagery evokes a sense of mystery and discovery, as well as emotional journeys both human and robotic in nature., Lush void, imperfection, natural lighting, cinematic, Fuji Film, Anamorphic lens, 2040s, deep depth of field, Solarpunk
Smokey cyberpunk cityscape, dystopian
Subject( A centipede bug train robot cyberpunk futurism), Location(A forest with a futuristic train station, Forest, Alberta, night, Feb, 1994), Frame(wide shot of passenger facesinterior train), Cam( Nikon, R3, anirmorphic lens, extreme bokeh blur, analog film grain,fuji film, color fading, film scratches, mold, vinegar syndrome, dirt, dust, emulsion damage, water damage, film tears, Cinemascope mumps, gate hair)
An intriguing landscape image of Gastown, reimagined as a cyberpunk utopia, filled with bizarre, inexplicable technologies. Luminescent cables wind around buildings like bioluminescent vines, floating drones buzz around, and holographic billboards flicker in an array of colors. Yui and Toshi, dwarfed by the city's scale, enter this urban labyrinth, their expressions a mix of awe and confusion.
Smokey cyberpunk cityscape, dystopian
A dramatic landscape shot from 'Embers of Tomorrow', depicting a neon-soaked Gastown in Vancouver, its skyline dominated by towering skyscrapers and massive digital billboards. A thin layer of smog hangs in the air, partially obscuring the cityscape. Yui and Toshi are captured entering the city, their farming gear contrasting sharply with the high-tech urban jungle.
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