Placeholder: black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

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Prompt

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

2 years ago

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Model

Kandinsky

Guidance Scale

7

Dimensions

912 × 608

Similar

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

black and white story board, Cut back to the chefs, all of whom roll one sly look at the boy and the girl they switch to the establishment. The shot is through the boy and the girl in the foreground seeing only each other their bodies and between them (if the girl is on the left a the boy on the right and they go right in frame) in the middle we see gives from the cooks, and the third behind the girl (left of frame), scattered throughout the kitchen must have been thrown at them look.

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