Placeholder: [art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave. [art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave.

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[art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave.

7 months ago

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[art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave.
Ada Lovelace's spirit seems to linger in the flickering candlelight, her vision of a programming language, a portrait of Alan Turing gazes enigmatically, the disappointment of Hilbert in 1900 whispers through the shadows, a reminder that human reasoning transcends mere logic. The hum of machinery blends with the rustle of pages as the figure contemplates the insights of Rossenblatt, weaving a narrative of exploration and discovery. the scene shifts to a high-stakes showdown reminiscent of Alp
[horror monster series collector cards for Destination: Void, by Franck Herbert (1965)] Dr. Weygand's face darkens at your words. "You raise a valid concern, Chuck," she says, her voice tight with frustration. "But we can't simply abandon the idea of safeguards entirely. We need some way to ensure the AI doesn't become a threat." She stands up, pacing the room as she continues.
I love the old 1950s Sci Fi and all those B ratted movies/tv shows. The retro futurism is such a cool concept and it's fun to bring to life in digital format, this was based on Rocky Jones Space Ranger (1954)
Ada Lovelace's spirit seems to linger in the flickering candlelight, her vision of a programming language, a portrait of Alan Turing gazes enigmatically, the disappointment of Hilbert in 1900 whispers through the shadows, a reminder that human reasoning transcends mere logic. The hum of machinery blends with the rustle of pages as the figure contemplates the insights of Rossenblatt, weaving a narrative of exploration and discovery. the scene shifts to a high-stakes showdown reminiscent of Alp
[kupka] The Lazarus Effect (Frank Herbert)
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Paul Gulacy, Black Widow Portfolio (SQ Productions, 1982)
olorès Marat, La femme aux gants (Woman with gloves), 1987. Dolorès Marat
Hamlette, Princess of denmark, asking to herself "be or not to be..." she looks at a skull, she is a warrior in the midst of great emotional turmoil and psychological struggle following the death of his father and the hasty marriage of his mother to his uncle.
the cover to Alice: The Walrus, And that was the colors of the saucer? No, her swimsuit. (1967) #47 by Stephen Bissette and John Totleben
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