Placeholder: This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals

@generalpha

Prompt

This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals

3 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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she is sitting down on the floor in black and white zebra, showing off her sandals
Before the mirror she stands in faded cotton underthings, old but comfortable. This is intimacy's barrier, where innocence disguises give way to shadowed truth.Slowly, the last vestiges of perceived maturity shed away. First go stockings in crisp white, sliding up shapely calves and securing above the knee. Her reflection watches, expression unchanging, as if through someone else's eyes.Next, a simple short-sleeved blouse, buttons slipping closed almost by their own accord. The starchy collar fe
Before the mirror she stands in faded cotton underthings, old but comfortable. This is intimacy's barrier, where innocence disguises give way to shadowed truth.Slowly, the last vestiges of perceived maturity shed away. First go stockings in crisp white, sliding up shapely calves and securing above the knee. Her reflection watches, expression unchanging, as if through someone else's eyes.Next, a simple short-sleeved blouse, buttons slipping closed almost by their own accord. The starchy collar fe
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[horror monster series collector cards (1961)] This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals
[colour photo by Helmut Newton] youthful Sophia Loren as Red Sonja in chainmail bikini with boots on her throne
[art by Helmut Newton] wings queen of butterflies Inside the Fate of a marble
[art by jean-paul riopelle] In the heart of a dark and spooky forest, a woman with big eyes, her head enclosed in a giant mushroom cap, stands trembling. She is clad in a full-body mushroom symbiote suit made of white mycelium, blending seamlessly with the eerie surroundings. Surrounding her are several giant mushrooms, their shapes resembling women, casting long, haunting shadows in the dim light of the forest.The woman's eyes dart nervously from one mushroom figure to another, their silent pr
she is sitting down on the floor in zebra, showing off her sandals
[ancien Egypt, real photography] The climax of the dance approaches as Satiah's movements slow once again, transitioning into a graceful tableau. She raises her arms toward the heavens, her expression a mix of awe and reverence. Her dance has conveyed the cyclical nature of existence, the union of mortal and divine, and the profound connection between humanity and the gods. As the haunting melody of flutes and harps begins to play, Satiah enters the center of the room, her presence commanding at
[real model in flesh] Standing alongside Cupid is Psyche, the mortal maiden who captivated his heart. her delicate figure, is infused with an air of innocence and vulnerability. Psyche's tender features and flowing drapery evoke a sense of delicate elegance, while her gaze, filled with a mix of enchantment and trepidation, reveals the depth of her emotions. Cupid and Psyche are intertwined in a tender embrace, their bodies entwined in a dance of love and desire. The contours of their forms, meti
Wide image capturing a vector-styled ASCII girl immersed in dance. The background consists of scrolling ASCII art, adding depth and a nostalgic digital touch.

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