Placeholder: This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals

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@generalpha

Prompt

This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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she is sitting down on the floor in black and white zebra, showing off her sandals
Before the mirror she stands in faded cotton underthings, old but comfortable. This is intimacy's barrier, where innocence disguises give way to shadowed truth.Slowly, the last vestiges of perceived maturity shed away. First go stockings in crisp white, sliding up shapely calves and securing above the knee. Her reflection watches, expression unchanging, as if through someone else's eyes.Next, a simple short-sleeved blouse, buttons slipping closed almost by their own accord. The starchy collar fe
Before the mirror she stands in faded cotton underthings, old but comfortable. This is intimacy's barrier, where innocence disguises give way to shadowed truth.Slowly, the last vestiges of perceived maturity shed away. First go stockings in crisp white, sliding up shapely calves and securing above the knee. Her reflection watches, expression unchanging, as if through someone else's eyes.Next, a simple short-sleeved blouse, buttons slipping closed almost by their own accord. The starchy collar fe
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[horror monster series collector cards (1961)] This is not a creature. It is a consequence: she is sitting down on the floor in zebra, showing off her sandals
[colour photo by Helmut Newton] youthful Sophia Loren as Red Sonja in chainmail bikini with boots on her throne
[art by Helmut Newton] wings queen of butterflies Inside the Fate of a marble
Wide image capturing a vector-styled ASCII girl immersed in dance. The background consists of scrolling ASCII art, adding depth and a nostalgic digital touch.
she is sitting down on the floor in zebra, showing off her sandals
[ancien Egypt, real photography] The climax of the dance approaches as Satiah's movements slow once again, transitioning into a graceful tableau. She raises her arms toward the heavens, her expression a mix of awe and reverence. Her dance has conveyed the cyclical nature of existence, the union of mortal and divine, and the profound connection between humanity and the gods. As the haunting melody of flutes and harps begins to play, Satiah enters the center of the room, her presence commanding at
[real model in flesh] Standing alongside Cupid is Psyche, the mortal maiden who captivated his heart. her delicate figure, is infused with an air of innocence and vulnerability. Psyche's tender features and flowing drapery evoke a sense of delicate elegance, while her gaze, filled with a mix of enchantment and trepidation, reveals the depth of her emotions. Cupid and Psyche are intertwined in a tender embrace, their bodies entwined in a dance of love and desire. The contours of their forms, meti
As Is you’re bearing a common Truth Commonly known as desire No need to dress it up as beauty No need to distort what’s not standard to be understandable. Pick your nose eyes ears tongue sex and brain to show the populace Take your chances on your accuracy Listen to yourself talk to yourself and others will also gladly relieved of the burden— their own thought and grief. What began as desire will end wiser.
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