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samurai: local vs. global

5 months ago

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Model

SSD-1B

Guidance Scale

7

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1024 × 1024

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Deadly Hands of Kung Fu (1977)
[art by John Blanche] samurai: local vs. global
The Last Ronin: old TMNT
[photorealistic, black and white] The Last Ronin: old TMNT
Deadly Hands of Kung Fu (1977): The soul of Bruce Lee travels to the Underworld where he fights with Dracula, James Bond, The Man with No Name, and others. Along the way he befriends the One-Armed Swordsman, Caine from the TV show Kung Fu, and Popeye the Sailor.
Together, the Crypt Thing and her ninja bodyguard [ADnD ] enigmatic figure of the ninja bodyguard. Swift as the wind, silent as the night, he moves with a grace that belies his deadly skill. Clad in dark, form-fitting attire that seems to meld with the shadows themselves, he is a specter of protection and vigilance. His eyes, sharp and alert, betray a fierce loyalty to his master, the Crypt Thing.
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[art by John Blanche] samurai: local vs. global
character concept sheet with AD&D statistics and characteristics, [high res photo by Norman Rockwell for Bushido] a female medieval warrior adopt a position close to the Japanese Mahami No Nekoashi Dachi (Kokutso Dachi), moving to squat with legs bent, stretching out his arms, one forward with his sword, the other backward, so that the lower part of his body with the folds of his combat robe resembles a fan turned downward
[art by John Blanche] samurai: local vs. global
In this dramatic portrayal, an Onna-musha — a female samurai of ancient Japan — is depicted in the aftermath of an intense battle. She sits, knees planted firmly in the blood-stained snow, her body language one of exhaustion yet undefeated resolve. Her armor, though smeared with the visceral evidence of combat, remains dignified and imposing, each plate and lacquer thread telling the story of a warrior's relentless spirit. Her face is a canvas of fatigue, marked with the splatters of war, but he
[art by Slipknot] samurai: local vs. global
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