Placeholder: [photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] As the storm unleashed its full fury upon the town, rain poured down in torrents, washing away the grime and decay that had settled upon the machines. Maria Magdalena extended a hand, her touch infused with warmth and understanding. One by one, the machines lowered their weapons, their metallic armor clanging against the ground.In that moment, amidst the chaos and destruction, a fragile bond formed between Maria Magdalena an [photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] As the storm unleashed its full fury upon the town, rain poured down in torrents, washing away the grime and decay that had settled upon the machines. Maria Magdalena extended a hand, her touch infused with warmth and understanding. One by one, the machines lowered their weapons, their metallic armor clanging against the ground.In that moment, amidst the chaos and destruction, a fragile bond formed between Maria Magdalena an

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[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] As the storm unleashed its full fury upon the town, rain poured down in torrents, washing away the grime and decay that had settled upon the machines. Maria Magdalena extended a hand, her touch infused with warmth and understanding. One by one, the machines lowered their weapons, their metallic armor clanging against the ground.In that moment, amidst the chaos and destruction, a fragile bond formed between Maria Magdalena an

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

9 months ago

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Model

SSD-1B

Guidance Scale

7

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1024 × 1024

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[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] As the storm unleashed its full fury upon the town, rain poured down in torrents, washing away the grime and decay that had settled upon the machines. Maria Magdalena extended a hand, her touch infused with warmth and understanding. One by one, the machines lowered their weapons, their metallic armor clanging against the ground.In that moment, amidst the chaos and destruction, a fragile bond formed between Maria Magdalena an
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] Her nimble fingers examined each mechanical joint, repairing what she could and providing solace to their worn mechanisms. Her touch, gentle yet firm, conveyed a profound understanding of their inner workings. She listened to their whirrs and clicks, interpreting the language of their mechanical souls.With the storm's fury as their backdrop, Maria Magdalena nurtured these machines back to a semblance of vitality. She wiped a
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] Within the shelter of the crumbling building, embraced by the storm's symphony, Maria Magdalena and the machines forged an unexpected bond. Her compassion and unwavering belief in their capacity for redemption became their guiding light, illuminating a path towards reclaiming their lost selves.As the rain pelted against the broken windows, the machines stood alongside Maria Magdalena, their once cold exteriors warmed by her
[art by Alex Maleev] THE DEATH DEALER: tribeless barbarian in a large forest that, after the end of the Ice Age, will one day become the Mediterranean sea. When the Mongol-esque Kitzaak Horde invade the forest, various parties try to recruit Gath's aid to defend against them. One of them, the beautiful sorceress Cobra, gives Gath a helmet possessed by the god of death. The helmet gives him godlike power but at the same time tries to break Gath to its will. With the help of the worldly travelling
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] With a serene demeanor, Maria Magdalena stepped closer to the machines, her voice filled with a delicate mixture of compassion and authority. As she spoke, her words wove a tapestry of understanding, reaching deep into the recesses of their cold, metallic hearts.Her voice, like a gentle lullaby, carried a melody that transcended their mechanical existence. It resonated with the echoes of a forgotten world, a world where warm
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] With a serene demeanor, Maria Magdalena stepped closer to the machines, her voice filled with a delicate mixture of compassion and authority. As she spoke, her words wove a tapestry of understanding, reaching deep into the recesses of their cold, metallic hearts.Her voice, like a gentle lullaby, carried a melody that transcended their mechanical existence. It resonated with the echoes of a forgotten world, a world where warm
Fantasy_royalist_woman_on_rocks
Alex Maleev, unused cover illustration, 2005: In a bustling café, the Wounded Gallic Warrior and the woman resembling the Sleeping Hermaphrodite find solace amidst the chaos of the modern world. His tattered armor and fur-lined cloak clash with the contemporary setting, drawing curious glances. Her flowing garments blend seamlessly with both ancient and modern realms. Their eyes meet, conveying determination and empathy. The warrior confesses his struggle with the unfamiliar surroundings, seekin
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] Within the shelter of the crumbling building, embraced by the storm's symphony, Maria Magdalena and the machines forged an unexpected bond. Her compassion and unwavering belief in their capacity for redemption became their guiding light, illuminating a path towards reclaiming their lost selves.As the rain pelted against the broken windows, the machines stood alongside Maria Magdalena, their once cold exteriors warmed by her
[art by Zdzisław Beksiński] In the midst of a raging war, amidst the clash of swords and the cries of the fallen, a figure stood tall. A woman unlike any other, her muscles rippled beneath her armor, a testament to her strength and resilience. She was a Roman Centurion, a warrior of unmatched skill, commanding respect from both friend and foe alike.
Alex Maleev, unused cover illustration, 2005: In a bustling café, the Wounded Gallic Warrior and the woman resembling the Sleeping Hermaphrodite find solace amidst the chaos of the modern world. His tattered armor and fur-lined cloak clash with the contemporary setting, drawing curious glances. Her flowing garments blend seamlessly with both ancient and modern realms. Their eyes meet, conveying determination and empathy. The warrior confesses his struggle with the unfamiliar surroundings, seekin
Dahlia, angel of righteous demise, Traces with her scythe a five-pointed star— A prison to bind the demon in his tracks. Raising her blade to the gloomy skies, She invokes her sacred, fearsome role— "I am the goddess of the dead and damned!" Eyes shut, she summons ancient magic And feels it swell, electric, through the soil— The pentagram glowing with arcane light.
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