Placeholder: [artistic photo by Tony Kent (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark [artistic photo by Tony Kent (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark

@generalpha

Prompt

[artistic photo by Tony Kent (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

5 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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[artistic photo by Tony Kent (1980)] a brunette driving a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceil much, the street is dark
[artistic colour photo from Film noir (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark
Beware of the beautiful promises hidden behind the mask. Some promises, just like some beauty, bring nothing but sorrow, regardless of how appealing they may be.
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[artistic photo by Tony Kent (1980)] a brunette in a car bends over to look at the camera, she is going to a party, she has a cigarette
[artistic photo from Film noir (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark
[art by Russ Meyer] youthful Debi Mazar Corcos poses in Agent Provocateur
all is dark, blood and smoke and battle: the princess, where the flickering candlelight cast shadows that danced across the stone walls, a sense of unease hung heavy in the air. The princess, dressed in a quick white cotton agent provocateur set, stood by the open window, her heart racing with a mixture of fear and anticipation. As she gazed out into the moonlit courtyard , she has to fight for her life
[artistic photo by Tony Kent (1980)] a brunette in a car bends over to look at the camera, she is going to a party, she has a cigarette
I wouldn't if I were you I know what she can do She's deadly, man, she could really rip your world apart Mind over matter Ooh, the beauty is there, but a beast is in the heart
A knowing smile graced Megan's lips. "Are you afraid we'll drift apart?" she inquired, her voice filled with a mixture of concern and longing. Riley shook his head, his vulnerability shining through. "No, it's not about that... it's just..." Megan gasped, the realization dawning on her. "Ah, that's it, isn't it? You don't want me to find an Alpha..." Riley's eyes widened, his true feelings laid bare. "I want you to be happy," he murmured softly. Megan reached out, her touch gentle and comforting
Nancy lies sprawled on her bed with a haughty, mocking air, chest down, chin resting on her hand, gazing lazily out the window like life itself has bored her to death. Her long, dark hair cascades down her shoulder, faintly glinting in the sunlight peeking through the curtains. A delicate silver hairpin perches on one side, almost ironic given her usual devil-may-care vibe. Her violet eyes, half-lidded with indifference, slowly drift toward you — expressionless, flat — like she's staring through

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