Placeholder: The chills that you spill up my back keep me filled With satisfaction when we're done Satisfaction of what's to come I couldn't ask for another No, I couldn't ask for another (You know that's right) Your groove I do deeply dig No walls, only the bridge My supper dish, my succotash wish (Sing it, baby) I couldn't ask for another (Uh huh, uh huh) No, I couldn't ask for another The chills that you spill up my back keep me filled With satisfaction when we're done Satisfaction of what's to come I couldn't ask for another No, I couldn't ask for another (You know that's right) Your groove I do deeply dig No walls, only the bridge My supper dish, my succotash wish (Sing it, baby) I couldn't ask for another (Uh huh, uh huh) No, I couldn't ask for another

@generalpha

Prompt

The chills that you spill up my back keep me filled With satisfaction when we're done Satisfaction of what's to come I couldn't ask for another No, I couldn't ask for another (You know that's right) Your groove I do deeply dig No walls, only the bridge My supper dish, my succotash wish (Sing it, baby) I couldn't ask for another (Uh huh, uh huh) No, I couldn't ask for another

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

4 months ago

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SSD-1B

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7

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1024 × 1024

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My quickened sense can only plod. Imagination waves its rod, My spirit burns with lightning splendor, Emotive faith tastes the bread of God. As moves the wind on sightless wings, Nor shadow o'er the landscape flings, While seas to chafe of foam are beaten, And plectrum sweeps all the forest strings; So through the world doth Spirit move, And presence by His working prove,— A mystery of might and music, A lonelihood of eternal love.
codargilv
3.141592653589793238462643383279502884197169399375105820974944592307816406286208998628034825342117067982148086513282306647093844609550582231725359408128481117450284102701938521105559644622948954930381964428810975665933446128475648233786783165271201909145648566923460348610454326648213393607260249141273724587006606315588174881520920962829254091715364367892590360011330530548820466521384146951941511609433057270365759591953092186117381932611793105118548074462379962749567351885752724891227938183011949
My quickened sense can only plod. Imagination waves its rod, My spirit burns with lightning splendor, Emotive faith tastes the bread of God. As moves the wind on sightless wings, Nor shadow o'er the landscape flings, While seas to chafe of foam are beaten, And plectrum sweeps all the forest strings; So through the world doth Spirit move, And presence by His working prove,— A mystery of might and music, A lonelihood of eternal love.
So, my fellow seekers of mathematical truth, let us don our mathematical finery and embrace the duality of global and local. With the modulus of continuity as our guide, we shall unravel the secrets hidden within the curves and functions. With each step, we shall uncover the delicate balance between the minute details and the sweeping vistas, all while basking in the radiance of mathematical style.[Liwa Dunes] .The interplay between the local and the global is a mathematical elegance. The loca
[Renaissance, a Sir, a pond] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
Le bruit de l’eau, froid, Éclabousse sur les rochers; Les poissons s’enfuient.
Le bruit de l’eau, froid, Éclabousse sur les rochers; Les poissons s’enfuient.
In the background, we shall paint a swirling sea of forgotten photographs, lost in the vast expanse of time. These images, once cherished and significant, now find themselves adrift, waiting to be rediscovered. They represent the vast well of historical knowledge that feeds into the formation of collective memory, their faded colors and aged textures hinting at the passage of time.And finally, to capture the essence of this paradox, let us add a figure, a silhouette of a person with outstretched
Historical craniometric studies found that the Beaker people appeared to be of a different physical type than those earlier populations in the same geographic areas. They were described as tall, heavy boned and brachycephalic. The early studies on the Beakers which were based on the analysis of their skeletal remains, were craniometric. This apparent evidence of migration was in line with archaeological discoveries linking Beaker culture to new farming techniques, mortuary practices, copper-work
starting points, multiple origins, the music of empty space
codargilv

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