Placeholder: Universal law is for lackeys, context is for kings Universal law is for lackeys, context is for kings

@generalpha

Prompt

Universal law is for lackeys, context is for kings

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

8 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

896 × 1120

Similar

Universal law is for lackeys, context is for kings
Universal law is for lackeys, context is for kings
Flammes de l’enfer (Flammes de l'enfer) Song by Niagar
Universal law is for lackeys, context is for kings
Flammes de l’enfer (Flammes de l'enfer) Song by Niagara
Creature from the Black Lagoon, [1954: Theatrical release poster by Reynold Brown]
Carmen, Queen of the Barbarians
[template cover of dungeon and dragons module B3] palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depicting a power struggle among the gods and their in
blood lust magazine cover: Hazbin Hotel
Morticia Addams glided by his side with graceful elegance. For unlike her family's usual severe aesthetics, today Morticia had chosen to clad herself in the whimsical styles of Christian Dior. She wore an ankle-length dress of silk chiffon in a muted watercolor print of lavenders, sea blues, and shadowed greys. The slim skirt and fitted bodice draped lovingly over her lithe figure. A halter neckline gently displayed her alabaster shoulders. A wide-brimmed hat of the same printed silk shaded her
Classic Daniel Clowes cover to David Greenberger’s Duplex Planet Illustrated#15, published by Fantagraphics, January 1993.

© 2024 Stablecog, Inc.