Placeholder: #5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man fights against two immense serpents. his face contort in pain, muscles straining against the relentless grip. His struggle embodies resilience and the pursuit of freedom. In the decaying ruins, his defiance resonates deeply. With unwavering determination, he refuses to yield. Bound by an unbreakable bond, he draw strength from each other. his battle echoe #5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man fights against two immense serpents. his face contort in pain, muscles straining against the relentless grip. His struggle embodies resilience and the pursuit of freedom. In the decaying ruins, his defiance resonates deeply. With unwavering determination, he refuses to yield. Bound by an unbreakable bond, he draw strength from each other. his battle echoe

@generalpha

Prompt

#5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man fights against two immense serpents. his face contort in pain, muscles straining against the relentless grip. His struggle embodies resilience and the pursuit of freedom. In the decaying ruins, his defiance resonates deeply. With unwavering determination, he refuses to yield. Bound by an unbreakable bond, he draw strength from each other. his battle echoe

distorted image, malformed body, malformed fingers

12 days ago

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SSD-1B

Guidance Scale

7

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1024 × 1024

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#5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man fights against two immense serpents. his face contort in pain, muscles straining against the relentless grip. His struggle embodies resilience and the pursuit of freedom. In the decaying ruins, his defiance resonates deeply. With unwavering determination, he refuses to yield. Bound by an unbreakable bond, he draw strength from each other. his battle echoe
#5 Original Art by Howard Chaykin (Vortex Comic, 1988): [greek god model in flesh] Forgotten temple, Man and son fight serpents fierce, Defiance echoes. Muscles strain, faces Twist in pain, resilience shines, Bond unyielding strong. Decay surrounds them, Hope in darkness, spirits soar, Indomitable.
#5 Original Art by Howard Chaykin (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoe
Alex Maleev, unused cover illustration, 2005: [greek goddess model in flesh]Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoes throu
#5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man fights against two immense serpents. his face contort in pain, muscles straining against the relentless grip. His struggle embodies resilience and the pursuit of freedom. In the decaying ruins, his defiance resonates deeply. With unwavering determination, he refuses to yield. Bound by an unbreakable bond, he draw strength from each other. his battle echoe
#5 Original Art by Howard Chaykin (Vortex Comic, 1988): [greek god model in flesh] In Athens, Damian, Resembles Peplos Kore, Art and life entwined. Attire flowing, Mirroring the statue's grace, Intricate folds twirl. Youthful features glow, Almond eyes, serene and still, Echo beauty's call. Braids and curls cascade, Hair like sculpted marble falls, Damian stands tall. Connection whispers, To forgotten era's past, Mortal meets art's gaze. Captivating tale, Blurs boundaries, art and life, Sun sets
Aphrodite stood tall ready to face this monstrous adversary. The moment of truth had arrived, and the fate of his Twelve Labors rested upon his shoulders. With a resolute gaze, she raised his club, his muscles coiled like tightly wound springs. The battle was about to commence, and Aphrodite was prepared to confront the Hydra head-on, regardless of the outcome.
in a library [mexican comics Head Lopper style by Andrew MacLean] this ancient library and laboratory of an invisible wizard, shelves are ancient totems with sacred carvings. Surrounded by spiritual energy, the place calls upon the power of the magic to protect the spell caster.
#5 Original Art by David Hockney (Vortex Comic, 1988): [greek god model in flesh] Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoe
Alex Maleev, unused cover illustration, 2005: [greek goddess model in flesh]Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoes throu
[Jason and the Argonauts (1963)] his mother Thetis took Achilles to the River Styx, which was supposed to offer powers of invulnerability.
Victor Frankenstein AND MONSTER [by frank frazetta]

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