Placeholder: Fisheye perspective of the Red Redemption— Kita, soft disheveled beast, poises in a messy bed for the Eurovision Song Contest. 35mm Lone Sloane: melting cheese, infinite loop, primitive drum style. The viewer (implied POV) is a monstrous creature from 2000 to 2010. Crusty sourdough, psychedelic tape, Jacques Lob— Poised for a bite of Philippe Druillet’s 1973 horror-themed image. Hold the turkey, hold the raw tape loop dance. Fisheye perspective of the Red Redemption— Kita, soft disheveled beast, poises in a messy bed for the Eurovision Song Contest. 35mm Lone Sloane: melting cheese, infinite loop, primitive drum style. The viewer (implied POV) is a monstrous creature from 2000 to 2010. Crusty sourdough, psychedelic tape, Jacques Lob— Poised for a bite of Philippe Druillet’s 1973 horror-themed image. Hold the turkey, hold the raw tape loop dance.

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@generalpha

Prompt

Fisheye perspective of the Red Redemption— Kita, soft disheveled beast, poises in a messy bed for the Eurovision Song Contest. 35mm Lone Sloane: melting cheese, infinite loop, primitive drum style. The viewer (implied POV) is a monstrous creature from 2000 to 2010. Crusty sourdough, psychedelic tape, Jacques Lob— Poised for a bite of Philippe Druillet’s 1973 horror-themed image. Hold the turkey, hold the raw tape loop dance.

distorted image, malformed body, malformed fingers, ugly, malformed members

1 month ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Fisheye perspective of the Red Redemption— Kita, soft disheveled beast, poises in a messy bed for the Eurovision Song Contest. 35mm Lone Sloane: melting cheese, infinite loop, primitive drum style. The viewer (implied POV) is a monstrous creature from 2000 to 2010. Crusty sourdough, psychedelic tape, Jacques Lob— Poised for a bite of Philippe Druillet’s 1973 horror-themed image. Hold the turkey, hold the raw tape loop dance.
Subject & Action: A close-up, fisheye perspective, raw 35mm film photograph captures a user lying back against several soft, disheveled pillows in a messy bed. The viewer (implied POV) is holding a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese, lettuce, tomato) slightly tilted, poised for a bite. Environment & Setting: The background is dominated by a vintage, oversized television set on a low stand at the foot of the bed. The screen is the primary light sour
I woke up this morning with an ache in my head I splashed on my clothes as I spilled out of bed I opened the window to listen to the news But all I heard was the Establishment's Blues
[art by Russ Meyer] a secluded chamber, a sanctuary of explorations. The room is adorned with an array of futuristic devices, each designed to awaken and satisfy the dreams of those who dare to enter. surrounded by an assortment of probes, arms, extensions, pinacles, and slime. a large bed in the center, with pillows and soft sheets in cotton
In a Wes Anderson-esque world: God/Deicide
In a Wes Anderson-esque world: God/Deicide
[photo from from Evil dead] In the eerie fast-food joint, dimly lit and smelling of decay, Pablo Simon Bolivar, also known as El Cheffe, served up his infamous hamburgers. But these weren't just any burgers. These were made of Deadite pieces, remnants of the demonic entities that once plagued the world.
Put on some scene gear Gotta get drunk 'fore my mom wakes up Break-up with my girlfriend, so I can bang sluts I'm undead, unfed, been sleeping on bunk beds since ten
jean Rochefort standing in his bedroom as the don quixote of pablo picasso: he is foutraque, in half silver armour, a painted kabyle pot on his head, sandals on his feet, executing a sally walk
[art by Russ Meyer and Milo Manara] a secluded chamber, a sanctuary of explorations. The room is adorned with an array of futuristic devices, each designed to awaken and satisfy the dreams of those who dare to enter. surrounded by an assortment of probes, arms, extensions, pinacles, and slime. a large bed in the center, with pillows and soft sheets in cotton
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
in the 1970s a movie set ready to shoot a melodrama in a bedroom
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