Placeholder: René Gruau's Nomadic samurai female creature at the edge of the wood René Gruau's Nomadic samurai female creature at the edge of the wood

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Prompt

René Gruau's Nomadic samurai female creature at the edge of the wood

distorted image, malformed body

9 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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René Gruau's Nomadic samurai female creature at the edge of the wood
[traditional Chinese brush, expressive line, ink washes] the jodan no kamae: the samurai stands tall and proud, feet firmly planted on the ground. his katana is held high above his head, angled slightly forward, with the blade pointing menacingly towards the heavens. The grip is firm, yet relaxed, a subtle indication of the controlled ferocity that lies within.
An ink drawing on paper of Hotei watching fighting birds, by Musashi.
Onna bugeisha
René Gruau's Nomadic samurai female creature at the edge of the wood
ConceptSheet by Guy Borremans: 'The Prince of Bushido marial arts' - Mithril katana Design for the woman monk
[art by John Blanche] samurai: local vs. global
[art by John Blanche] samurai: local vs. global
[traditional Chinese brush, expressive line, ink washes] the jodan no kamae: the samurai stands tall and proud, feet firmly planted on the ground. his katana is held high above his head, angled slightly forward, with the blade pointing menacingly towards the heavens. The grip is firm, yet relaxed, a subtle indication of the controlled ferocity that lies within.
[art by W. Heath Robinson] She is a lone female warrior, the last of her clan, bearing the weight of tradition and tragedy upon her shoulders. Bound by the code of Bushido, she carries with her the legacy of her ancestors, a heritage steeped in honor and sacrifice. Yet beneath the facade of resilience lies a heart heavy with sorrow, as a solitary figure, her silhouette etched against the fading light of the setting sun.
[traditional Chinese brush, expressive line, ink washes] Barbarella in samurai woman standing close to a precipice
In this dramatic portrayal, an Onna-musha — a female samurai of ancient Japan — is depicted in the aftermath of an intense battle. She sits, knees planted firmly in the blood-stained snow, her body language one of exhaustion yet undefeated resolve. Her armor, though smeared with the visceral evidence of combat, remains dignified and imposing, each plate and lacquer thread telling the story of a warrior's relentless spirit. Her face is a canvas of fatigue, marked with the splatters of war, but he
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