Placeholder: 2024: Alex Maleev’s cover art for: Happy new year 2024 2024: Alex Maleev’s cover art for: Happy new year 2024

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2024: Alex Maleev’s cover art for: Happy new year 2024

doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

11 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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2024: Alex Maleev’s cover art for: Happy new year 2024
[Alex Maleev] This is Ground Control to Major Tom, You've really made the grade, And the papers want to know whose shirts you wear, Now it's time to leave the capsule if you dare, This is Major Tom to Ground Control, I'm stepping through the door, And I'm floating in a most peculiar way, David Bowie: And the stars look very different today.
Happy new year 2024: Howard Chaykin (Vortex Comic)'s cover art for: Happy new year 2024
[Alex Maleev] God/Deicide
[art by Alex Maleev]
Alex Maleev, unused cover illustration, 2005: [greek goddess model in flesh]Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoes throu
Alex Maleev, unused cover illustration, 2005: [greek god model in flesh] A man resembling the Wounded Gallic Warrior emerges from a battlefield, bearing the marks of war on his body. His face reflects agony and weariness, a testament to the human cost of conflict. With one arm raised in surrender, the other clenching a weapon, he embodies vulnerability and resilience. His eyes reveal sorrow and the toll war has taken on his soul. Amidst the devastation, he carries the weight of countless sacrifi
Alex Maleev, unused cover illustration, 2005: [greek god model in flesh] A man resembling the Wounded Gallic Warrior emerges from a battlefield, bearing the marks of war on his body. His face reflects agony and weariness, a testament to the human cost of conflict. With one arm raised in surrender, the other clenching a weapon, he embodies vulnerability and resilience. His eyes reveal sorrow and the toll war has taken on his soul. Amidst the devastation, he carries the weight of countless sacrifi
Alex Maleev, unused cover illustration, 2005: [greek goddess model in flesh]Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoes throu
[art by Alex Maleev] “He who can destroy a thing has the real control of it” - Paul Atreides
[Alex Maleev] David Bowie: This is Ground Control to Major Tom, You've really made the grade, And the papers want to know whose shirts you wear, Now it's time to leave the capsule if you dare, This is Major Tom to Ground Control, I'm stepping through the door, And I'm floating in a most peculiar way, And the stars look very different today
[art by Alex Maleev] “He who can destroy a thing has the real control of it” - Paul Atreides

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