Placeholder: Harry Clarke’s cover art for: Happy new year 2024 Harry Clarke’s cover art for: Happy new year 2024

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Harry Clarke’s cover art for: Happy new year 2024

doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

11 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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Harry Clarke’s cover art for: Happy new year 2024
[art by John bauer] Her story began long before the great wars, when the lands of Eliria were still whole, and the veil between realms was thin. Eryndril was not born of mortal men but of the Aether, a being of the deep woods, bound to the life of the trees and rivers that shaped the land. With platinum hair that shimmered like moonlight through the leaves, and eyes the color of deep forest pools, she was as much a part of Lythoria as the ancient oaks and the rivers that fed them.
[fractal art by Moebius: cover of dungeon and dragons module B3] palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
[kupka] We embody wisdom, the connection so strong, Between humanity and earth, in this ancient song. Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
2024: Harry Clarke’s cover art for: Happy new year 2024
But as Megan continued her journey, she realized that the power of the talisman was not without its challenges. The intoxicating allure of the sect's practices began to consume her, blurring the line between her newfound liberation and the responsibilities of everyday life. She found herself torn between her desire for exploration and the need to maintain a sense of balance in the outside world. As the experiences multiplied, Megan grappled with the question of where her true path lay. Was she m
2024: Harry Clarke’s cover art for: Happy new year 2024
A set of illustrations by Thomas Theodor Heine from Thorheiten, Album von Thomas T. Heine, published by Albert Langen, 1901.
[kupka] We embody wisdom, the connection so strong, Between humanity and earth, in this ancient song. Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,
[kupka] In the midst of her celestial ballet, Sophie couldn't help but marvel at the paradoxical beauty of her surroundings. The cold emptiness of space became a stage upon which she showcased her prowess, her every movement a declaration of defiance against the pressures of her deadline. She channeled the spirit of the great masters—Moebius, Rackham, Kley—infusing her journey with their unique styles, creating a visual spectacle that transcended the boundaries of imagination.As she neared the o
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