Placeholder: [comic book art by Le Tendre et Loisel (la quete de l oiseau du temps, 1987)] [comic book art by Le Tendre et Loisel (la quete de l oiseau du temps, 1987)]

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@generalpha

Prompt

[comic book art by Le Tendre et Loisel (la quete de l oiseau du temps, 1987)]

distorted image, malformed body

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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My art is like the spontaneous prose of a midnight jazz session, flowing freely and unapologetically. The critics may chatter like ghosts in the night, but my brush is a beacon of light in the darkness of conformity. My creations, born from the depths of my imagination, defy the constraints of tradition and soar into realms unknown. Each stroke is a rebellion against the mundane, a declaration of my artistic spirit unfettered by the chains of expectation.
(art by Philippe Druillet's Délirius, 1973, written by Jacques Lob) the poetry of A Midsummer Night's Dream
My art is like the spontaneous prose of a midnight jazz session, flowing freely and unapologetically. The critics may chatter like ghosts in the night, but my brush is a beacon of light in the darkness of conformity. My creations, born from the depths of my imagination, defy the constraints of tradition and soar into realms unknown. Each stroke is a rebellion against the mundane, a declaration of my artistic spirit unfettered by the chains of expectation.
(art by Philippe Druillet's Délirius, 1973, written by Jacques Lob) the poetry of A Midsummer Night's Dream
drawing by artist Otto Rapp: souvenirs of heaven
page by artist Harvey Tolibao and colorist Rebecca Nalty for a tale
Original illustration by Stephen Fabian from The Scallion Stone by Canon Basil A. Smith
[illustration by Junji] In the darkness of the night, a shadowy figure emerged from the depths of the forest, moving with impossible speed, leaving no trace behind but a lingering putrid, metallic stench that filled the air. The settlers, terrified and confused, immediately pointed fingers at a nearby group of Native Americans, sparking a brief but bloody conflict fueled by fear and misunderstanding. However, the truth was far more sinister than anyone could have imagined.
illustration by underground comix artist, Brion Gysin of: As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. And in the end, the remnants of those who dared to challenge her lie scattered on the forest floor, a testament to her indomitable spirit. Surpanakha stands amidst the carnage, her twisted form radiating power and triumph. She has reclaimed her sanctuary, her twisted essence more potent than ever.
A photo of my traditional, monochromatic nature pencil drawing inspired by Japanese woodblock prints, featuring a stylized scene of a forest with a focus on a rocky, natural stone pathway.
[1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] "A map is not just a guide, it's a promise to forge a path forward." - the journey is more important than the destination - The Map and the Territory
[1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] "A map is not just a guide, it's a promise to forge a path forward." - the journey is more important than the destination - The Map and the Territory
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