Placeholder: [art from Destination: Void, by Franck Herbert (1965)] Captain Bickel's laugh is cold and bitter. "Minsky's thought experiment? You're comparing this to a theoretical exercise from centuries ago?" He shakes his head in disbelief. "We're not in a lab anymore, we're on a ship with real lives at stake." He moves closer, his eyes intense. [art from Destination: Void, by Franck Herbert (1965)] Captain Bickel's laugh is cold and bitter. "Minsky's thought experiment? You're comparing this to a theoretical exercise from centuries ago?" He shakes his head in disbelief. "We're not in a lab anymore, we're on a ship with real lives at stake." He moves closer, his eyes intense.

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[art from Destination: Void, by Franck Herbert (1965)] Captain Bickel's laugh is cold and bitter. "Minsky's thought experiment? You're comparing this to a theoretical exercise from centuries ago?" He shakes his head in disbelief. "We're not in a lab anymore, we're on a ship with real lives at stake." He moves closer, his eyes intense.

8 days ago

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[art from Destination: Void, by Franck Herbert (1965)] Captain Bickel's laugh is cold and bitter. "Minsky's thought experiment? You're comparing this to a theoretical exercise from centuries ago?" He shakes his head in disbelief. "We're not in a lab anymore, we're on a ship with real lives at stake." He moves closer, his eyes intense.
In the dimly lit laboratory of the mad scientist, a scene unfolded that would chill the bravest of hearts. Boris Karloff, transformed into a monstrous fiend by the hand of James Whale, stood over a helpless maiden tied to a rack. midst the shadows, the electric machines hummed with a malevolent energy, their metal appendages poised like sinister specters waiting for the cue to join the twisted experiment.
[Jason and the Argonauts (1963)] two smiling green extra terrestrial aliens in their experiment lab in the 60ties, tubes and cables and liquids everywhere, a large bed in the middle
[art by Norman Rockwell] As the night wears on, you start to notice some strange things happening around you. The aliens seem to be watching you closely, and you get the feeling that they are studying you in some way. They seem to be particularly interested in how humans reproduce, and they keep asking you questions about your reproductive system and your reproductive habits.
[art by Norman Rockwell] two green extra terrestrial aliens in their experiment lab in the 60ties, they are tubes and cables and liquids everywhere
I love the old 1950s Sci Fi and all those B ratted movies/tv shows. The retro futurism is such a cool concept and it's fun to bring to life in digital format, this was based on Rocky Jones Space Ranger (1954)
[horror monster series collector cards for Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"
Dating A Monster in 1952
I love the old 1950s Sci Fi and all those B ratted movies/tv shows. The retro futurism is such a cool concept and it's fun to bring to life in digital format, this was based on Rocky Jones Space Ranger (1954)
[art by Norman Rockwell] aliens in their experiment lab in the 0ties, they are tubes and cables and liquids everywhere
[art from Destination: Void, by Franck Herbert (1965)] Dr. Weygand speaks up, her voice measured but firm. "The ethical implications of this proposal are staggering. We'd be creating sentient beings, then discarding them based on some subjective notion of benevolence." She looks at you, her expression grave.
use the force, spock
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