Placeholder: [art by Russ Meyer] Deep within the forsaken crypts, The Demon’s Warden stands as the final barrier between darkness and ruin. Clad in unholy armor, her crimson cloak billows through the dank corridors, her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a thousand battles. She is the keeper of this ancient prison, cursed t [art by Russ Meyer] Deep within the forsaken crypts, The Demon’s Warden stands as the final barrier between darkness and ruin. Clad in unholy armor, her crimson cloak billows through the dank corridors, her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a thousand battles. She is the keeper of this ancient prison, cursed t

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[art by Russ Meyer] Deep within the forsaken crypts, The Demon’s Warden stands as the final barrier between darkness and ruin. Clad in unholy armor, her crimson cloak billows through the dank corridors, her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a thousand battles. She is the keeper of this ancient prison, cursed t

1 month ago

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ConceptSheet [by Boris Vallejo]: woman wizard succubus and her dagger with AD&D statistics
[Red Sonja, Wheel of Time] Original and final cover art and five interior illustrations by underground comix artist, Spain Rodriguez, from the German edition of Charles Bukowski’s book, Women, circa 1980’s.
Deep within the forsaken crypts, The Demon’s Warden stands as the final barrier between darkness and ruin. Clad in unholy armor, her crimson cloak billows through the dank corridors, her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a thousand battles. She is the keeper of this ancient prison, cursed to guard its depths f
[art by Russ Meyer, Jason and the Argonauts (1963)] Deep within the forsaken crypts, the beautiful Circe, a formidable goddess, with a mortal woman’s voice. She is the sister of the baleful Aeetes, both being children of the Sun who lights the world, by the same mother. Her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a
[art by Russ Meyer] Deep within the forsaken crypts, the beautiful Circe, a formidable goddess, with a mortal woman’s voice. She is the sister of the baleful Aeetes, both being children of the Sun who lights the world, by the same mother. Her twin blades gleaming with the light of long-forgotten power. Before her, a swarm of feral demons snarls and claws, but they dare not advance. Her helm, adorned with the curved horns of a conquered beast, hides the scars of a thousand battles.
[art by Michael Kaluta] a fleshy skinned alive female devil Flying Winkie Guards shouting to produce ultra-sounds while she flies in the clouds, no dress like a devil
[A blonde knight female in armour by Frank Frazetta] All is lost. The frontier outpost seemed like a reasonable place to defend while gathering additional support to resist the illegitimate sovereign. But he granted her no such time. Overrun, she is guarded by bloodthirsty mercenaries, separated from what remains of her warriors. Their screams of pain and suffering echo as they are dispatched all around her. Even in death, they call her name, begging forgiveness for their failure to win the day.
[Red Sonja, Wheel of Time] Original and final cover art and five interior illustrations by underground comix artist, Spain Rodriguez, from the German edition of Charles Bukowski’s book, Women, circa 1980’s.
[art by Frank Frazetta] In the shadowed glade, where the moon cast an eerie glow, a figure emerged from the darkness. A demoness, with goat horns spiraling from her head, stood tall and proud. Her vestal linen dress stained with the blood of the celebration she had just made. The demoness wielded a sword, gleaming in the moonlight, a weapon of ancient power and dark intent. Her eyes, a fiery gaze that spoke of untold secrets and forbidden knowledge, surveyed the scene before her with a mix of sa
[art by Frank Frazetta] In the shadowed glade, where the moon cast an eerie glow, a figure emerged from the darkness. A demoness, with goat horns spiraling from her head, stood tall and proud. Her vestal linen dress stained with the blood of the celebration she had just made. The demoness wielded a sword, gleaming in the moonlight, a weapon of ancient power and dark intent. Her eyes, a fiery gaze that spoke of untold secrets and forbidden knowledge, surveyed the scene before her with a mix of sa
Fierce and powerful, this warrior demoness stands at the center of this intense artwork, gripping her ceremonial sword with deadly grace. Her expression exudes dominance and determination, accentuated by the ornate horns that crown her head and the intricate armor wrapped around her form. The rich textures and dramatic use of a crimson sun in the backdrop symbolize blood, power, and conquest, while her unapologetic nudity speaks to her raw, untamed strength. This artwork is an embodiment of dark
[Red Sonja, Wheel of Time] Original and final cover art and five interior illustrations by underground comix artist, Spain Rodriguez, from the German edition of Charles Bukowski’s book, Women, circa 1980’s.
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