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@generalpha

Prompt

Give my future back

large hands

1 year ago

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Model

SDXL

Guidance Scale

7

Dimensions

832 × 1248

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iconic Louis Vuitton
Their dreams are our nightmares
guardians of a bygone era. The scorching sun, its rays ablaze, unveils the desolate kingdom of this forsaken city - a realm consumed by shadows and desolation. Discarded vehicles lie strewn about, remnants of a time when vitality coursed through these stony arteries. Yet now, only echoes of darkness persist, a symphony of silence that proclaims an eternal night. The air hangs heavy with the scent of ash and smoke, while the ground sears beneath one's fingertips, as if the very earth were aflame.
ithin this realm of the local, we encounter the enchanting concept of continuity. It is through the lens of local continuity that we perceive the behavior of functions within a small vicinity. The modulus of continuity, like a maestro's baton, guides our exploration. It measures the rate at which a function can wiggle and wander within a confined neighborhood. It quantifies the subtle oscillations, the intricate twists and turns, that a function can take on this intimate scale. But let us not co
guardians of a bygone era. The scorching sun, its rays ablaze, unveils the desolate kingdom of this forsaken city - a realm consumed by shadows and desolation. Discarded vehicles lie strewn about, remnants of a time when vitality coursed through these stony arteries. Yet now, only echoes of darkness persist, a symphony of silence that proclaims an eternal night. The air hangs heavy with the scent of ash and smoke, while the ground sears beneath one's fingertips, as if the very earth were aflame.
Here is some art I produced in 2012 for my IP, Redemption, which is currently under early development with Original Films, the mad men behind the Fast and the Furious franchise.
I go into debt, you go into debt, he goes into debt, we go into debt, they take advantage, they get rich
Nostalgia for the future
iconic Chanel
I dig deeper into my cityscape memories hoping for inspiration, but it's all a bit dystopian in there. Must be the contaminated cityscape air getting to me noodles. What's that rose-tinted sheila gone and gotten herself into in the grubby cityscape this time? I picture her zooming through the gloomy back alleys of the urban sprawl on her rusty cityscape cruiser, tatty leather jacket flapping in the smoggy winds. Nothing but crumpled high-rises and abandoned skyways stretching as far as the blear
iconic Prada
[Fritz Leiber's Lankhmar] Narrow alleys twist like serpents, often veiling hidden corners where secrets thrive and whispers echo. The buildings loom overhead, their timbers creaking and leaning as if sharing in the city’s age-old secrets. Worn signs hang precariously from rusted chains, advertising everything from fine silks to dubious potions, each a promise of something more—be it luxury or peril.As one ventures deeper into the veins of Lankhmar, the cacophony of voices swells—a symphony of ba
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