Placeholder: he reoccurances appear in the form of dreams, flashbacks, thoughts and images. It is also described as "a kind of psychological numbness with an accompanying lessening of feeling of involvement in the world around one." Hypervigilence and an exaggerated startle response. he reoccurances appear in the form of dreams, flashbacks, thoughts and images. It is also described as "a kind of psychological numbness with an accompanying lessening of feeling of involvement in the world around one." Hypervigilence and an exaggerated startle response.

@generalpha

Prompt

he reoccurances appear in the form of dreams, flashbacks, thoughts and images. It is also described as "a kind of psychological numbness with an accompanying lessening of feeling of involvement in the world around one." Hypervigilence and an exaggerated startle response.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

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Model

SSD-1B

Guidance Scale

7

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4096 × 4096

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he reoccurances appear in the form of dreams, flashbacks, thoughts and images. It is also described as "a kind of psychological numbness with an accompanying lessening of feeling of involvement in the world around one." Hypervigilence and an exaggerated startle response.
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the of take explore Amidst our we trip Let to fellow words So we through break this digital Cut In space forth and let spirits So beat hearts way words beatnik's here beatnik to on dive In called guide the muse hallucinations The this the digital it's electronic revolution beatniks the raise Oh poetic art within In place depths power electronic In digital and us my to us bold stage But fragments stray words beckons technology As our ascend find
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Our dreams don’t belong to them
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From The Comics Since 1945 by Brian Walker, published by Harry N. Abrams, 2002. Ah, the Web of Wyrd, a lesser-known symbol from the rich tapestry of Norse mythology. How intriguing it is to intertwine this concept with the complexities of collective memory. Let us weave a visual tapestry that merges these two realms of interconnectedness.Imagine, if you will, a grand and ancient loom, standing tall in the midst of a mystical landscape. Its frame is adorned with intricate Nordic designs, reminisc
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