Placeholder: [traditional calligraphy brush, expressive line, ink washes] a ray of light in a world plagued by chaos due to geopolitical tensions and global warming. [traditional calligraphy brush, expressive line, ink washes] a ray of light in a world plagued by chaos due to geopolitical tensions and global warming.

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@generalpha

Prompt

[traditional calligraphy brush, expressive line, ink washes] a ray of light in a world plagued by chaos due to geopolitical tensions and global warming.

distorted image, malformed body, malformed fingers

7 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[traditional Chinese brush, expressive line, ink washes] a ray of light in a world plagued by chaos due to geopolitical tensions and global warming.
[An ink drawing by Musashi] the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
[An ink drawing by Musashi] the material form is no different from the void of shapeless emptiness; the material form is the same as emptiness, and emptiness the same as the material form.
captured in a poor quality close-up photo, a mere fragment of the grand tapestry of this enigmatic realm. Despite the blurred edges and obscured details, the essence of this scene on Terraléa 816 tantalizes the imagination, hinting at hidden wonders just beyond the frame. In the faint shadows and pixelated hues of the photo, one can discern a faint glimmer of a world unlike any other, where the echoes of history and the whispers of the unknown intertwine in a delicate dance.
[traditional Chinese brush, expressive line, ink washes] Barbarella in samurai woman standing close to a precipice
Stephen Fabian “The Dream of X” Illustration Original Art (Donald M. Grant, 1977)
[art by Ralph Steadman] Inside the Fate of a marble
Nogi San is an ink illustrator and artist who blends traditional Japanese sumi e techniques with digital art to create a unique art style.
Je ne crois pas aux miracles Et encore moins aux oracles Je n'aurais pas du t'ecouter Je n'ai pas vu le dangerJ'étais une etrangere et je t'ai cru sincere Tu ne m'as rien laisse, je n'ai pas efface
[art by Jean-Paul Riopelle] The cherry blossom branches would be depicted with thin and graceful lines, capturing their natural flow and organic structure. The branches may have a slightly wavy or curved appearance, giving them a more realistic and dynamic feel.Buds can be included alongside the fully bloomed flowers, showcasing the different stages of the cherry blossom's life cycle. These buds can be depicted as small, rounded shapes, often positioned close to the main flower or scattered alo
Chaos and upheaval travel, like a ripples across a still pond. Tremors of unrest reach into the solitude of the deep forests and mountains. One of those ripples reaches a long forgotten corner of the realm. Emerging from his solitude, he ventures forth. One of the most powerful mages to walk the lands strides into the sunlight. The powers of darkness have no concept of the sources of magic he has unearthed in his ages of contemplation. The forest itself parts to allow his passing.
A photo of my traditional, monochromatic nature pencil drawing inspired by Japanese woodblock prints, featuring a stylized scene of a forest with a focus on a rocky, natural stone pathway.
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