Placeholder: Nogi San is an ink illustrator and artist who blends traditional Japanese sumi e techniques with digital art to create a unique art style. Nogi San is an ink illustrator and artist who blends traditional Japanese sumi e techniques with digital art to create a unique art style.

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Nogi San is an ink illustrator and artist who blends traditional Japanese sumi e techniques with digital art to create a unique art style.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Nogi San is an ink illustrator and artist who blends traditional Japanese sumi e techniques with digital art to create a unique art style.
[the birdhouse] A photo of my traditional, monochromatic nature pencil drawing inspired by Japanese woodblock prints, featuring intricate carvings of trees and foliage, evoking a sense of calm and nostalgia. A rocky, natural stone pathway leads up to the birdhouse, inviting visitors to step into a world of serenity and beauty.
1. to understand what we are talking about, it is needed to understand that GenAi is a kind of interpolation (to make it simple, say that it is an interpolation in the space of scenery composition, and another one in the space of styles; what makes it rich is that they are not "independent"). 2. it means a database is needed : examples to train the model in supervised (indeed, self-supervised) mode. 3. it is true that because a lot of examples are needed, first generation of GenAi engines used a
[Art by Kelley Jones] In the mountain valleys of China’s Fujian Province, large, rammed earth fortresses lay abandoned
A owner of the old thatched hut Is also changed to another It’s the Doll’s Festival. Spring is passing. The birds cry, and the fishes’ eyes are With tears. The summer grasses. All that remains Of warriors’ dreams. The early summer rain Fall and fall yet Leave untouched Hikari-do Hall. Oh, tranquility! Penetrating the very rock, A cicada’s voice. The rains of summer join together How swift it is Mogami River. The old pond A frog leaps in. Sound of the water.
[traditional Chinese brush, expressive line, ink washes] a ray of light in a world plagued by chaos due to geopolitical tensions and global warming.
[art by Dorohedoro] Giant Buddha in Chiang Rai
The structure, cloaked in mystery and history, stands stoically within the tranquil ocean, mirroring the resilience of the ancient world. These ancient sites, steeped in the shadows of forgotten empires, demand meticulous documentation and study to unlock their secrets. In the untamed lands of the Cimmeria region, where relics of lost kingdoms face the ravages of nature and the relentless march of time, the need for precise as-built documentation services is paramount
Nine mouths. Nine deaths. One decision. The battlefield is silent, but the sky screams. This piece plays with the contrast between traditional Japanese ink technique and dark fantasy storytelling — emphasizing isolation, courage, and the inevitability of conflict.
[the birdhouse] A photo of my traditional, monochromatic nature pencil drawing inspired by Japanese woodblock prints, featuring intricate carvings of trees and foliage, evoking a sense of calm and nostalgia. A rocky, natural stone pathway leads up to the birdhouse, inviting birds to step into a world of serenity and beauty.
This multi-faceted art project, inspired by the Two Sought Adventure series, showcases a variety of artistic expressions. It includes detailed environment scenes of iconic locations like Lankhmar, epic boss battle illustrations featuring Fafhrd and the Gray Mouser, and humorous fan comics with untold stories. The project also features concept art of original characters, weapons, and locations, combining traditional and digital techniques in mixed media.
A photo of my traditional, monochromatic nature pencil drawing inspired by Japanese woodblock prints, featuring a stylized scene of a forest with a focus on a rocky, natural stone pathway.

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