Placeholder: Dolorès Marat, La femme aux gants (Rosie the Riveter puts on her overalls over her_lingerie with gloves), 1987. go to the factory, with no inhibitions Dolorès Marat, La femme aux gants (Rosie the Riveter puts on her overalls over her_lingerie with gloves), 1987. go to the factory, with no inhibitions

@generalpha

Prompt

Dolorès Marat, La femme aux gants (Rosie the Riveter puts on her overalls over her_lingerie with gloves), 1987. go to the factory, with no inhibitions

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

8 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Dolorès Marat, La femme aux gants (Rosie the Riveter puts on her overalls over her_lingerie with gloves), 1987. go to the factory, with no inhibitions
[art Russ Meyer] Walks into the room, feels like a big balloon I said, "Hey girls, you are beautiful" "Diet coke and a pizza, please." Diet coke! I'm on my knees Screaming, "Big girl, you are beautiful!"
Scene from a color 1968's British secret agent TV show, a 165 pound middle aged woman who looks like Sherri Martel is wearing jeans and boots, she has on very heavy eye makeup and her mouth is open. She is standing up with her arms at her sides, her knees are buckled and her eyes are crossed as they close and roll. She looks very defeated and humiliated. She is standing in a colorful living room.
The journey is not without its challenges. Obstacles present themselves in the form of turbulent currents, narrow passages, and unexpected anomalies. But Raquel Welch, undeterred, remains steadfast in her resolve. She maneuvers the submarine with grace and precision, avoiding pitfalls and forging ahead. Through it all, her presence exudes a magnetic energy, captivating the crew and viewers alike. Her confidence inspires those around her, instilling a sense of trust in her leadership. She is the
Dolorès Marat, La femme aux gants (Rosie the Riveter puts on her overalls over her_lingerie with gloves), 1987. go to the factory, with no inhibitions
Young Helena Bonham Carter 1990 indie scene girl
Rosie the Riveter
[Russ Meyer, in colour on the beach] Women’s Physique Division has been created to give a platform for women who enjoy weight training, competing, contest preparation. Competitors should display a toned, athletic physique showcasing femininity, muscle tone, beauty/flow of physique.
[art by Russ Meyer] youthful Debi Mazar Corcos poses in Agent Provocateur
youthful Debi Mazar Corcos poses in Le Petit Trou
Wilma Flinstone as a boxer
The scene unfolds with a sense of wonder and anticipation. The submarine, guided by skilled hands, delves deeper into the human body, venturing into uncharted territories. Raquel Welch's character epitomizes the courage and grace required to embark on such an extraordinary journey. Her every movement exudes confidence, as though she is in sync with the very pulse of life itself. In this fantastical setting, I find solace. The pressure of deadlines and the demands of an ever-hungry audience fade

© 2024 Stablecog, Inc.