Placeholder: The vast expanse of space stretched out before the Chronoscape, a lone beacon of technology adrift in the cosmic abyss. Lost amidst the twinkling stars and swirling galaxies, it floated, its rhythmic oscillations echoing in the void. The Chronoscape, with its intricate kaleidoscopic disc, continued to spin, casting mesmerizing patterns of light into the darkness. The colors danced and intermingled, a symphony of vibrant hues that defied the emptiness surrounding it. As the Chronoscape drifted ai The vast expanse of space stretched out before the Chronoscape, a lone beacon of technology adrift in the cosmic abyss. Lost amidst the twinkling stars and swirling galaxies, it floated, its rhythmic oscillations echoing in the void. The Chronoscape, with its intricate kaleidoscopic disc, continued to spin, casting mesmerizing patterns of light into the darkness. The colors danced and intermingled, a symphony of vibrant hues that defied the emptiness surrounding it. As the Chronoscape drifted ai

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@generalpha

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The vast expanse of space stretched out before the Chronoscape, a lone beacon of technology adrift in the cosmic abyss. Lost amidst the twinkling stars and swirling galaxies, it floated, its rhythmic oscillations echoing in the void. The Chronoscape, with its intricate kaleidoscopic disc, continued to spin, casting mesmerizing patterns of light into the darkness. The colors danced and intermingled, a symphony of vibrant hues that defied the emptiness surrounding it. As the Chronoscape drifted ai

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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SSD-1B

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7

Dimensions

1024 × 1024

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SNIFFIN’ GLUE magazine high res photo cover by Thierry Legault, special issue on Wormholes
a sketch born of the stars, a blueprint of futuristic wonder. Hyperdrive engines pulsating with the energy of a thousand suns, repairing the fabric of spacetime itself. Matter and antimatter dance in delicate harmony within the holding chamber, a symphony of cosmic proportions. Equations dance across the page, calibrating warp engines with mathematical precision, guiding the starship through the infinite cosmos. The star drive engines hum with power, their placement beside the ship a testament t
their fragmented message a jumble of data fragments that hint at a truth obscured by the quantum tapestry of the hyper-reality. The enigmatic whispers swirl around the metallic forms that emerge from the darkness, their sleek contours gleaming with a malevolent sheen under the pulsating glow of the luminescent panels. The group of machines, their cybernetic bodies a fusion of steel and circuitry, move with a purposeful stride, their red eyes flashing with a cold, calculating intelligence that pi
Destination: Void
A more realistic environment in modeling (as opposed to my previous deviation) where I modeled planetary orbits and similar calculations for my Astronomy class. Having a computer (pre-PC, to be sure) was a godsend.
Globally and Locality, intertwined in cosmic embrace, One expansive, the other confined, both find their space. A neural network mapping the universe's expanse, While randomness in forests uncovers hidden chance. Complexity and subtlety, their essence intertwined, Seeking patterns universal, or details confined. A grand symphony of knowledge in global reach, Whispered tales of wisdom in local truths they teach. Together they dance, a harmonious blend, In cosmic rhythm, their differences transcen
The vast expanse of space stretched out before the Chronoscape, a lone beacon of technology adrift in the cosmic abyss. Lost amidst the twinkling stars and swirling galaxies, it floated, its rhythmic oscillations echoing in the void. The Chronoscape, with its intricate kaleidoscopic disc, continued to spin, casting mesmerizing patterns of light into the darkness. The colors danced and intermingled, a symphony of vibrant hues that defied the emptiness surrounding it. As the Chronoscape drifted ai
A more realistic environment in modeling (as opposed to my previous deviation) where I modeled planetary orbits and similar calculations for my Astronomy class. Having a computer (pre-PC, to be sure) was a godsend.
So, my fellow seekers of mathematical truth, let us don our mathematical finery and embrace the duality of global and local. With the modulus of continuity as our guide, we shall unravel the secrets hidden within the curves and functions. With each step, we shall uncover the delicate balance between the minute details and the sweeping vistas, all while basking in the radiance of mathematical style.[Liwa Dunes] .The interplay between the local and the global is a mathematical elegance. The loca
[art by Paul Ranson] artistic and yet geometric representations of Bohr orbits: compares the electron probability densities for the hydrogen 1s, 2s, and 3s orbitals. Note that all three are spherically symmetrical. For the 2s and 3s orbitals, however (and for all other s orbitals as well), the electron probability density does not fall off smoothly with increasing r. Instead, a series of minima and maxima are observed in the radial probability plots
Globally and Locality, intertwined in cosmic embrace, One expansive, the other confined, both find their space. A neural network mapping the universe's expanse, While randomness in forests uncovers hidden chance. Complexity and subtlety, their essence intertwined, Seeking patterns universal, or details confined. A grand symphony of knowledge in global reach, Whispered tales of wisdom in local truths they teach. Together they dance, a harmonious blend, In cosmic rhythm, their differences transcen
artistic and yet geometric representations of Bohr orbits: compares the electron probability densities for the hydrogen 1s, 2s, and 3s orbitals. Note that all three are spherically symmetrical. For the 2s and 3s orbitals, however (and for all other s orbitals as well), the electron probability density does not fall off smoothly with increasing r. Instead, a series of minima and maxima are observed in the radial probability plots
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