Placeholder: Shaman young woman with dark marks around her eyes and a mysterious smile Shaman young woman with dark marks around her eyes and a mysterious smile

@generalpha

Prompt

Shaman young woman with dark marks around her eyes and a mysterious smile

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

11 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Shaman young woman with dark marks around her eyes and a mysterious smile
In a riveting display of resilience, a woman warrior’s intense blue eyes run in the battle, awash with the echoes of battle, pierce through the cacophony of war's remnants. Her body, speckled with the freckles of youth and the splatters of conflict, stands as a canvas of courage behind the steel of her raised sword.
a lone feral indigenous girl stands before the enigmatic reptilian god atop the sacred Mayan pyramid. Adorned in tattoos that tell tales of forgotten rituals and tribal wisdom, she moves with a primal grace that speaks of generations past. Her military uniform, now transformed into a garment woven with intricate Maya symbols and patterns, clings to her lithe form in a seductive embrace. The jewelry adorning her body glimmers in the psychedelic light, casting a mesmerizing glow that hints at secr
[Pan's Labyrinth (2006)] The painting of Little gazelle (Tatanka-cikala)'s face and body among the plains tribes was said to be a form of mental conditioning. the Warrior paint herself with personal protective designs and colors before she engages in battle with an enemy.
Shaman girl
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed the face] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
[real life version of a Dr. Seuss] a surreal scene,Feral girls and a reptilian god upon a Mayan pyramid, so serene.Tattoos came to life, uniforms transformed with tribal patterns aglow,Colors pulsed, jewelry sparkled, and the aura halo cast a radiant show.The god's scales shimmered, wings unfurled in a mesmerizing display,Lush green rainforest mountains undulated in a cosmic ballet.A kaleidoscope of hues danced before the writer's eyes, so bright,Boundaries blurred, reality melted in the psyched
[colour picture: Jason and the Argonauts (1963)] Surpanakha, with her twisted form and ferocious demeanor, presents a stark contrast. Her appearance is more ominous, bearing the marks of her demonic lineage. Her once alluring features have been distorted, reflecting the darkness that resides within her. Surpanakha's eyes, filled with a fiery intensity, convey a sense of danger and aggression. Her twisted form, with sharp claws and teeth, symbolizes her predatory nature and the ferocity with whic
Shaman girl
[vintage style noisy scratches glitches] 1970s angry Hippie warrior woman with a knife gripped tightly in her hands fighting Alien liquid saliva monster. Face to face: Its drooly, drooling head looms dangerously close to her pretty face, dripping with acidic saliva. the world emits eerie, otherworldly sounds that reverberate through the liquid landscape.
The painting of a man's face and body among the plains tribes during the buffalo days was said to be a form of mental conditioning. Warriors would paint themselves with personal protective designs and colors before they engaged in battle with an enemy. Hence the stereotypical term “war paint.”
In the land of Sri Lanka, where traditions thrive, There's a dance of gods, keeping spirits alive Oh, kulu natume, dance of gods so true, Celebrate the harvest, in rhythms we move,

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