Placeholder: "SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali "SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali

@generalpha

Prompt

"SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali

distorted image, malformed body, malformed fingers

6 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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"SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali cover
[bloody high res photo by Jean-Claude Meziere with Kupka's palette] the tattooed warrior moves with the fluid precision of someone who's spent a lifetime turning potential death into momentary survival. His weapon cleaves through the ghoul in a single, brutal stroke.
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[poster by Egon Schiele] The vampire lord's eyes flash with anger at your words, a low growl rumbling in his throat. He lunges forward, his movements blindingly fast, but you're ready. Your broadsword flashes out, the blessed blade leaving a trail of holy light in its wake.
[horror monster series collector cards (1961)] "SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali
pen sketch and increase the --c and lots of repetitions.Donnie Yen as Kiu Fung with jumping with his short staff
[art by Norman Rockwell] With newfound determination burning in his eyes, Roupinho stepped back, his gaze lingering on the statue of the Black Madonna. Leaving the grotto, Roupinho emerged into the world, his heart aflame with the divine spark that had been ignited within him. And so, the knight set forth on his sacred quest, his destiny intertwined with the miraculous presence of the Black Madonna of Nazaré. The echoes of his pledge reverberated through the hallowed halls of his soul, ignitin
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"SHOCKING BLOODY" Guillotine medieval magazine cover: Esquire: The Passion of Muhammad Ali
[Moebius] Spock in mediation, sitting in lotus position, as a yogi: Logic is the beginning of wisdom
Alex Maleev, unused cover illustration, 2005: [greek god model in flesh] A man resembling the Wounded Gallic Warrior emerges from a battlefield, bearing the marks of war on his body. His face reflects agony and weariness, a testament to the human cost of conflict. With one arm raised in surrender, the other clenching a weapon, he embodies vulnerability and resilience. His eyes reveal sorrow and the toll war has taken on his soul. Amidst the devastation, he carries the weight of countless sacrifi
Alex Maleev, unused cover illustration, 2005: [greek goddess model in flesh]Trapped in a forgotten temple, a man and his son fight against two immense serpents. Their faces contort in pain, muscles straining against the relentless grip. Their struggle embodies resilience and the pursuit of freedom. In the decaying ruins, their defiance resonates deeply. With unwavering determination, they refuse to yield. Bound by an unbreakable bond, they draw strength from each other. Their battle echoes throu

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