Placeholder: Vintage photo of a bride in her dress and the groom in a classic tuxedo wearing a detailed mechanical camera head, standing next to a weird humanoid partly furry creature with a sad expression, posed formally, neutral background, surreal and whimsical theme, centered composition, early 20th-century photography style. Vintage photo of a bride in her dress and the groom in a classic tuxedo wearing a detailed mechanical camera head, standing next to a weird humanoid partly furry creature with a sad expression, posed formally, neutral background, surreal and whimsical theme, centered composition, early 20th-century photography style.

@generalpha

Prompt

Vintage photo of a bride in her dress and the groom in a classic tuxedo wearing a detailed mechanical camera head, standing next to a weird humanoid partly furry creature with a sad expression, posed formally, neutral background, surreal and whimsical theme, centered composition, early 20th-century photography style.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Vintage photo of a bride in her dress and the groom in a classic tuxedo wearing a detailed mechanical camera head, standing next to a weird humanoid partly furry creature with a sad expression, posed formally, neutral background, surreal and whimsical theme, centered composition, early 20th-century photography style.
In the sepia tones of a bygone era, a Victorian family stands in solemn attire, their faces reflecting the austere demeanor of the times. At the center, an anachronistic figure, a cylindrical automaton with appendages that seem to mock the conventions of human form, stands in stark contrast to its human counterparts. This tableau challenges the viewer, juxtaposing the rigid human portraits with the whimsical inclusion of a mechanical entity, blurring the lines between history and fantasy.
In shadows' embrace, two figures stand side by side, Vintage attire adorning them, love's secrets they confide. Eyes meet, reflecting a mix of longing and devotion, Love letters flutter, whispering tales of deep emotion. Gramophone's melodies weave a duet, hearts unified. Soft petals descend, like blessings from above, Creating an aura of romance, a testament to their love. Bittersweet reverie shared, past memories held dear, Nostalgia's tender touch, drawing them near. In this single frame, the
The mid-nineteenth-century stage thus became a space and time for exploring and criticizing social ideas of femininity. Both Buszek and theater historian Theresa Saxon describe a period of often daring, sometimes chaotic work by women onstage. In the 1840s, Charlotte Cushman famously appeared in drag, playing roles including the male lead in Romeo and Juliet. The actress Adah Isaacs Menken was equally willing to self-promote with topless cartes de visite and images of her in stage costume or in
In the sepia tones of a bygone era, a Victorian family stands in solemn attire, their faces reflecting the austere demeanor of the times. At the center, an anachronistic figure, a cylindrical automaton with appendages that seem to mock the conventions of human form, stands in stark contrast to its human counterparts. This tableau challenges the viewer, juxtaposing the rigid human portraits with the whimsical inclusion of a mechanical entity, blurring the lines between history and fantasy.
In shadows' embrace, two figures stand side by side, Vintage attire adorning them, love's secrets they confide. Eyes meet, reflecting a mix of longing and devotion, Love letters flutter, whispering tales of deep emotion. Gramophone's melodies weave a duet, hearts unified. Soft petals descend, like blessings from above, Creating an aura of romance, a testament to their love. Bittersweet reverie shared, past memories held dear, Nostalgia's tender touch, drawing them near. In this single frame, the
Vintage black and white photo of a young woman with two eerie figures wearing creepy masks and veils, one with a circular hole and the other with intricate wires and mesh, standing side by side in a dimly lit room, with a plain background, reminiscent of old horror photography, with a haunting and surreal atmosphere.
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
In the sepia tones of a bygone era, a Victorian family stands in solemn attire, their faces reflecting the austere demeanor of the times. At the center, an anachronistic figure, a cylindrical automaton with appendages that seem to mock the conventions of human form, stands in stark contrast to its human counterparts. This tableau challenges the viewer, juxtaposing the rigid human portraits with the whimsical inclusion of a mechanical entity, blurring the lines between history and fantasy.
In the sepia tones of a bygone era, a Victorian family stands in solemn attire, their faces reflecting the austere demeanor of the times. At the center, an anachronistic figure, a cylindrical automaton with appendages that seem to mock the conventions of human form, stands in stark contrast to its human counterparts. This tableau challenges the viewer, juxtaposing the rigid human portraits with the whimsical inclusion of a mechanical entity, blurring the lines between history and fantasy.
[photo from collection gilman and gonzalez-FALLA]
[vintage] A woman in tuxedo around a pond

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