Placeholder: une certaine idée de la France une certaine idée de la France

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Prompt

une certaine idée de la France

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

8 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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une certaine idée de la France
Climbing up on Solsbury Hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing, stretching every nerve I had to listen, had no choice
The imposing Castle Evermoor stands tall atop a rocky promontory, overlooking the sprawling lands of the barony. Surrounded by lush, verdant forests, the castle enjoys a strategic vantage point that allows its inhabitants to survey the countryside with ease. The castle's grey stone walls exude an air of strength and resilience, while its towering turrets and battlements serve as a testament to the Thornwood family's noble lineage. As one ventures beyond the castle's protective embrace, they woul
From this valley they say we are going but don't hasten to bid us adieu even though we lost the battle at Jarama we'll set this valley free before we're through.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however,
[art by Greg Smallwood] In the mountain valleys of China’s Fujian Province, large, rammed earth fortresses lay abandoned
The imposing Castle Evermoor stands tall atop a rocky promontory, overlooking the sprawling lands of the barony. Surrounded by lush, verdant forests, the castle enjoys a strategic vantage point that allows its inhabitants to survey the countryside with ease. The castle's grey stone walls exude an air of strength and resilience, while its towering turrets and battlements serve as a testament to the Thornwood family's noble lineage. As one ventures beyond the castle's protective embrace, they woul
We needed more oxygen.
Climbing up on Solsbury Hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing, stretching every nerve I had to listen, had no choice
L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris
So, my fellow seekers of mathematical truth, let us don our mathematical finery and embrace the duality of global and local. With the modulus of continuity as our guide, we shall unravel the secrets hidden within the curves and functions. With each step, we shall uncover the delicate balance between the minute details and the sweeping vistas, all while basking in the radiance of mathematical style. .The interplay between the local and the global is a delicate dance, a choreography of mathematica
ithin this realm of the local, we encounter the enchanting concept of continuity. It is through the lens of local continuity that we perceive the behavior of functions within a small vicinity. The modulus of continuity, like a maestro's baton, guides our exploration. It measures the rate at which a function can wiggle and wander within a confined neighborhood. It quantifies the subtle oscillations, the intricate twists and turns, that a function can take on this intimate scale. But let us not co

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