Placeholder: [Jason and the Argonauts (1963)] Tank Girl on a ancient greek war chariot [Jason and the Argonauts (1963)] Tank Girl on a ancient greek war chariot

@generalpha

Prompt

[Jason and the Argonauts (1963)] Tank Girl on a ancient greek war chariot

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[Jason and the Argonauts (1963)] Tank Girl on a ancient greek war chariot
[photo by Russ Meyer] happy in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] she stands tall with her gun
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
[colour photo by Helmut Newton] happy in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] youthful Sophia Loren stands tall with her gun, a Spanish and dangerous western cowgirl
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She staggers back, her legs giving way as she finds herself a seat on a nearby rock. With trembling hands, she wipes away the tears that stream down her face, her heart heavy with despair. With a deep breath, she steadies herself, her gaze fixed on the wreckage before her. The tears still stain her cheeks,
[Jason and the Argonauts (1963)] Crying woman in cotton undies, Crucified
[photo by Russ Meyer] happy in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] she stands tall with her gun and a Winchester
The painting of Little gazelle (Tatanka-cikala)'s face and body among the plains tribes was said to be a form of mental conditioning. the Warrior paint herself with personal protective designs and colors beforehethey engaged in battle with an enemy.
[Jason and the Argonauts (1963)] Skeletal army, Skeletal mage, Skeletal archer, Skeletal swordsman
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. She stands before a burnt camp, the remnants of what was once a place of solace and safety. The destruction is evident, the charred remains serving as a painful reminder of what has been lost. And in this moment, she can no longer hold back the tears. The burnt camp, the tears, they are but a fleeting momen
[colour picture: Jason and the Argonauts (1963)] One by one, they emerge from their hiding places, their faces pale with terror. Surpanakha's eyes blaze with demonic fury, her twisted form casting an ominous shadow over the trembling figures before her. "You thought you could destroy me?" Surpanakha's voice drips with venom. "You thought you could erase me from existence? Well, you have failed miserably." The fear in their eyes intensifies as they realize the gravity of their mistake. Surpanakha
[Jameela Jamil (Tahani Al-Jamil) and Kristen Bell] as barbarian warriors with boots and her battle axe [Jason and the Argonauts (1963)]

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