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Prompt

Deux heures moins le quart avant Jésus-Christ (Jean Yanne, 1982)

distorted image, malformed body, malformed fingers

7 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Deux heures moins le quart avant Jésus-Christ (Jean Yanne, 1982)
Wide cinematic view of Vienna in 1913, elegant imperial architecture and orderly boulevards under a pale, overcast sky, finely dressed figures walking with measured detachment, banners and official buildings suggesting bureaucracy and ceremony, atmosphere of intellectual tension and quiet stagnation, everything precise yet emotionally distant, muted colors, soft light, subtle haze, modernist realism, restrained, ironic tone, sense of a world perfectly organized and inwardly hollow,
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] Shaolin gangsta monk waiting outside, in the doorstep of a stone temple
[Socrates reading at a desk, ancient Athens] As Socrates sat at his desk, his face became a captivating tableau of profound thought and earnest curiosity. The morning light, filtering through the window, highlighted the gentle furrows on his brow, each line a testament to the countless hours he had spent in contemplation. His eyes, a striking shade of dark brown, gleamed with a mix of intellectual fervor and warm compassion, drawing anyone who met his gaze into the depths of his philosophical wo
Deux heures moins le quart avant Jésus-Christ (Jean Yanne, 1982)
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] Shaolin gangs monk waiting outside, in the doorstep of a stone temple
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] woman Shaolin gangsta monk covered by tattoos waiting outside in yellow kimono, on a stone doorstep, she menaces the camera with her finger
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] a gangsta nun covered by tattoos faces the camera, meditating in the lotus position on a rock outside, under the sun. The serene setting of a sunny zen garden surrounds her, the sand meticulously raked in intricate patterns.
[high res colourful photo by Helmut Newton] Dracula introduces you: sister Bloody Mary, he stands with a pervert smile behind the nun, she is terribly bloody and has pointed canine fangs
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by Stanley Kubrick] Elizabeth Montgomery, the Shaolin gangsta monk covered by tattoos, waiting outside in a yellow kimono on a stone doorstep. Her presence is striking, the tattoos on her knuckles adding to her intimidating aura. With a fierce glare, she menaces the camera with her two fists, each knuckle etched with intricate designs symbolizing her journey and battles fought.
[Jason and the Argonauts (1963)] In the heart of a bustling Gypsy encampment Svetlanathe charismatic Gypsy Leader, sits beneath a brightly colored canopy. Her dark eyes, filled with wisdom and authority, scan the surrounding commotion. As the Gypsy Guide, Raul, approaches her with a determined stride, she senses his urgency and beckons him to join her.
Deux heures moins le quart avant Jésus-Christ (Jean Yanne, 1982)
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