Placeholder: Dating A Monster in 1952 Dating A Monster in 1952

@generalpha

Prompt

Dating A Monster in 1952

doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

Similar

[photo from The Thing (1982)] Despite its fragile appearance, there is an undeniable aura of menace that emanates from the creature. Its very existence defies logic and reason, a twisted fusion of science and nightmare that should never have been brought into being. The vaccination syringe, gleaming with malevolence, extends from the creature's arm like a deadly weapon waiting to strike
[photo from The Thing (1982)] Despite its fragile appearance, there is an undeniable aura of menace that emanates from the creature. Its very existence defies logic and reason, a twisted fusion of science and nightmare that should never have been brought into being. The vaccination syringe, gleaming with malevolence, extends from the creature's arm like a deadly weapon waiting to strike
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict
[horror monster series collector cards for Destination: Void, by Franck Herbert (1965)] Dr. Weygand's face darkens at your words. "You raise a valid concern, Chuck," she says, her voice tight with frustration. "But we can't simply abandon the idea of safeguards entirely. We need some way to ensure the AI doesn't become a threat." She stands up, pacing the room as she continues.
[photo from The Thing (1982)] Despite its fragile appearance, there is an undeniable aura of menace that emanates from the creature. Its very existence defies logic and reason, a twisted fusion of science and nightmare that should never have been brought into being. The vaccination syringe, gleaming with malevolence, extends from the creature's arm like a deadly weapon waiting to strike
Marilyn in agent provocateur entertaining the nurses in the Korean war
[Invasion of the Body Snatchers (1956)] MarilynMonroe in agent provocateur, attacked by a horrible zombie-monster in the night, graveyard, cinematic lighting, DOF, 16k
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a colorful 1970s Italian movie] As the hot blonde cheerleader and the xenomorph mummy faced each other in the eerie hotel room, a palpable tension filled the air. The cheerleader, her youthful exuberance contrasting with the mummy's ancient horror, stood poised for a confrontation unlike any other. The xenomorph mummy, a fusion of unearthly terror and decaying majesty, regarded the cheerle
[photo from The Thing (1982)] Despite its fragile appearance, there is an undeniable aura of menace that emanates from the creature. Its very existence defies logic and reason, a twisted fusion of science and nightmare that should never have been brought into being. The vaccination syringe, gleaming with malevolence, extends from the creature's arm like a deadly weapon waiting to strike
As he headed toward the noise, the shrieking grew louder until it escalated into an unearthly screech that made the hairs on his neck stand up. Breaking into a clearing, he froze at the sight before him. A bizarre creature resembling a misshapen humanoid was leaning over the water, its leathery limbs ending in claws that sliced through the air. When its face turned toward Alex, slitted yellow eyes met his with unbridled malice. It let out an earsplitting shriek and charged. Alex turned to run bu
[photo by Russ Meyer, in the locker room of the swimming pool] she slips into her swimsuit, the door opens.
Creature from the Black Lagoon, [1954: Theatrical release poster by Reynold Brown]

© 2025 Stablecog, Inc.