Placeholder: I'm tired of fighting another man's pointless war So please keep up with it just like you have before I can tell by the look, you mean what you say Like a sentimental crook, it's tough to get away If it even would matter, I would play every part But I'm too overeager and I just false start Oh sister of pearl, I wouldn't change you for the world I'm tired of fighting another man's pointless war So please keep up with it just like you have before I can tell by the look, you mean what you say Like a sentimental crook, it's tough to get away If it even would matter, I would play every part But I'm too overeager and I just false start Oh sister of pearl, I wouldn't change you for the world

@generalpha

Prompt

I'm tired of fighting another man's pointless war So please keep up with it just like you have before I can tell by the look, you mean what you say Like a sentimental crook, it's tough to get away If it even would matter, I would play every part But I'm too overeager and I just false start Oh sister of pearl, I wouldn't change you for the world

large hands

2 years ago

Generate Similar

Explore Similar

Model

22h Diffusion

Guidance Scale

7

Dimensions

512 × 768

Similar

You say my time here has been some sort of joke That I've been messing around Some sort of incubating period For when I really come around but I'm cracking up And you have no idea No idea how it feels to be on your own In your own home with the fucking phone And the mother of gloom
[Law & Order: blade runner] youthful Julianne Nicholson, a fishing rod in hand, stands in murky waters of a post-apocalyptic underwater city. surreal scene , dreamlike, metropolis submerged in chaos , blood and danger. in the sunsets she stands with a fierce sense of power, surrounded by circling sharks. The sharks' teeth moving in the light, add to the tension. weirder the better. Bigger monsters. Stronger hero
[photo by Russ Meyer on the streets] Come and give your love away, don't play it safe. You may let them fall but I won't let them break. Wanna chase a sunset, are You ready yet? You won't get this chance every day. It's cold out there, don't fear the road just come along with us. You're not alone out there. Let's write a song, make up the melody: “if you're looking for me baby you know you can find me following the sun”.
[iconic photo by Helmut Newton] geofinance: a dollar bank note, a Renminbi bank note, a euro bank note on a chessboard
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] Within the shelter of the crumbling building, embraced by the storm's symphony, Maria Magdalena and the machines forged an unexpected bond. Her compassion and unwavering belief in their capacity for redemption became their guiding light, illuminating a path towards reclaiming their lost selves.As the rain pelted against the broken windows, the machines stood alongside Maria Magdalena, their once cold exteriors warmed by her
traffic jam [Shattered Image, Shot the texture and then rewound the film and double exposed from multiple 1979 B colour series movie]
[Jesus Christ] Sur... a psychological thriller... cop Dali from Hitchcock... mix in a little World War II... sure... surreal events in an occupied town... man sees ancient soldier hiding in abandoned home... "Twillight Zone." Now... what do they look like? No! Did that before-- What? No, not that way! Damn deadlines. Setting me off completely. Too much pressure. Mixing up the scenes! Too much coffee. That's it. Damn freezed-dried stuff! What's that? No! You didn't want any jungle queens! Now wai
Marilyn Monroe, a fishing rod in hand, stands in murky waters of a post-apocalyptic underwater city. surreal scene , dreamlike, metropolis submerged in chaos , blood and danger. in the sunsets she stands with a fierce sense of power, surrounded by circling sharks. The sharks' teeth moving in the light, add to the tension. weirder the better. Bigger monsters. Stronger hero
[photography by Titian, Rembrandt van Rijn, by Jeremy Mann, Luis Royo,] Within the shelter of the crumbling building, embraced by the storm's symphony, Maria Magdalena and the machines forged an unexpected bond. Her compassion and unwavering belief in their capacity for redemption became their guiding light, illuminating a path towards reclaiming their lost selves.As the rain pelted against the broken windows, the machines stood alongside Maria Magdalena, their once cold exteriors warmed by her
Give them one of those captivating styles... Tolstoy, Dostoevsky, Solzhenitsyn... Yes... a psychological journey... channel Gogol with a touch of Orwell... blend in a little Cold War... sure... surreal events in a Soviet town... a man encounters a phantom trooper lurking in an abandoned factory... "Twilight Zone." Now... what do they look like? No! Not that! Did that before-- What? No, not that way! Damn deadlines. They're throwing me off completely. Too much pressure. Mixing up the scenes! Too
[Law & Order: blade runner] youthful Julianne Nicholson, a fishing rod in hand, stands in murky waters of a post-apocalyptic underwater city. surreal scene , dreamlike, metropolis submerged in chaos , blood and danger. in the sunsets she stands with a fierce sense of power, surrounded by circling sharks. The sharks' teeth moving in the light, add to the tension. weirder the better. Bigger monsters. Stronger hero
After the fall of the world, two humans stand on the side of their battered car, gazing out at a once-thriving city now reduced to rubble and dust. The remnants of civilization lay scattered before them, a haunting reminder of what once was. The silence is deafening, broken only by the distant howl of the wind as it whips through the desolate streets.

© 2025 Stablecog, Inc.