Placeholder: [fun photo by Russ Meyer] the condom factory. The factory door opens and a woman dressed in a sexy outfit of Dorothy from the wizard of Oz begins slowly walking to the gate. open box of condoms on your bedside table [fun photo by Russ Meyer] the condom factory. The factory door opens and a woman dressed in a sexy outfit of Dorothy from the wizard of Oz begins slowly walking to the gate. open box of condoms on your bedside table

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Prompt

[fun photo by Russ Meyer] the condom factory. The factory door opens and a woman dressed in a sexy outfit of Dorothy from the wizard of Oz begins slowly walking to the gate. open box of condoms on your bedside table

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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[photo by Russ Meyer] facing a woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[photo by Russ Meyer, in the locker room of the swimming pool] she slips into her swimsuit, the door opens.
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
Sandra Dee as a professional swimmer in the locker room
[colour helmut newton1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos,
[horror monster series collector cards for Destination: Void, by Franck Herbert (1965)] Dr. Weygand's face darkens at your words. "You raise a valid concern, Chuck," she says, her voice tight with frustration. "But we can't simply abandon the idea of safeguards entirely. We need some way to ensure the AI doesn't become a threat." She stands up, pacing the room as she continues.
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[colour helmut newton1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos,
[art by helmut newton] In humble submission, she kneels, a canvas of desire, Offering her back to the whisper of anticipation's fire. On hands and knees, she waits, a portrait of allure, Her essence bared, ready for the touch so pure. In the tender twilight, she bows, a vision of grace, Awaiting the sweet sting of passion's embrace
A disturbing party takes place at the Colorado Lounge in the sinister Overlook Hotel. The event is a ghostly reenactment of a glamorous 1920s party, filled with long-dead guests dressed in elegant attire. A ghostly celebration where all the characters are "costumed", not in typical costumes, but as people who are no longer what they appear to be: everyone there is dead. The guests are masked by the appearance of life, when in reality they are apparitions from the hotel's dark past. Thus, the par
[artistic photo from Film noir (1980)] a brunette in a car bends over to speak, she looks at the camera, she is going to a party, she is mysterious and her dress does not conceal much, the street is dark

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