Placeholder: expensive scene from a western movie "Soldier Blue", Cheyenne woman, tied-up tied to a totem pole, scorching sun, high noon, American blue-shirt cavalry soldiers in background, Colorado Eastern Plains, cinematic lighting, FOV, 16k. expensive scene from a western movie "Soldier Blue", Cheyenne woman, tied-up tied to a totem pole, scorching sun, high noon, American blue-shirt cavalry soldiers in background, Colorado Eastern Plains, cinematic lighting, FOV, 16k.

@generalpha

Prompt

expensive scene from a western movie "Soldier Blue", Cheyenne woman, tied-up tied to a totem pole, scorching sun, high noon, American blue-shirt cavalry soldiers in background, Colorado Eastern Plains, cinematic lighting, FOV, 16k.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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expensive scene from a western movie "Soldier Blue", Cheyenne naked_woman, tied-up tied to a totem pole, scorching sun, high noon, American blue-shirt cavalry soldiers in background, Colorado Eastern Plains, cinematic lighting, FOV, 16k.
in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] she stands tall with her guns
[Movie Poster: in letters: ONCE UPON A TIME IN TE WEST] Claudia Cardinale in her iconic scene of Once Upon a Time in the West (1868): the western train station behind her she discovers the small cowboy city in construction, in the dust. She observes, a shawl draped over her lace-trimmed bourgeois dress, her hair pulled back into a tousled bun. there is dust in the air
office women in a farm, in the middle of the ranch, one of them (in the center) is in agent provocateur
[1883] Jennifer Hawkins, a tattooed cowgirl with an air of confidence and danger, stands tall on dusty Main Street. The sun beats down on the weathered wooden buildings. The sound of wind fills the air as Jennifer adjusts her colt, she prepares for the duel
[photo by Russ Meyer] happy in the wild Wild West: My Name Is Nobody [Il mio nome è Nessuno (1973)] she stands tall with her gun
[1883] Jennifer Hawkins, a tattooed cowgirl with an air of confidence and danger, stands tall on Main Street. The sun beats down on the weathered wooden buildings, casting long shadows across the deserted road. The sound of spurs jingling fills the air as Jennifer adjusts her colt, she prepares for the duel
She stands amidst the unforgiving desert, a young Bene Gesserit adorned in a stillsuit, a garment as essential as the air she breathes in this harsh environment. The fabric clings to her figure, its intricate design serving a dual purpose—protection and survival. The tight-fitting hood frames her face, shielding it from the relentless sun, while her eyes, sharp and perceptive, scan the horizon for any signs of danger. As she walks, each step kicks up a small cloud of sand, leaving footprints tha
[Movie Poster: in letters: ONCE UPON A TIME IN TE WEST] Claudia Cardinale in her iconic scene of Once Upon a Time in the West (1868): the western train station behind her she discovers the small cowboy city in construction, in the dust. She observes, a shawl draped over her lace-trimmed bourgeois dress, her hair pulled back into a tousled bun. there is dust in the air
[Movie Poster: in letters: ONCE UPON A TIME IN TE WEST] Claudia Cardinale in her iconic scene of Once Upon a Time in the West (1868): the western train station behind her she discovers the small cowboy city in construction, in the dust. She observes, a shawl draped over her lace-trimmed bourgeois dress, her hair pulled back into a tousled bun. there is dust in the air
Yeah Somethin′ comin', I can feel it (yeah) , ready to fight, in dust, rust and blood, her body is covered with throwing daggers belts
She stands amidst the arid desert, a young Bene Gesserit adorned in a remarkable Fremen stillsuit, a testament to her adaptability and survival instincts. The suit, intricately woven with a network of tubes, serves as her lifeline in this parched land. Every inch of her body is covered in the tubes, creating a complex web of interconnected pathways. These tubes collect and recirculate her own precious sweat and bodily fluids, providing her with a continuous source of water. Each drop is a lifeli

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