Placeholder: YMCA band YMCA band

@generalpha

Prompt

YMCA band

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
[very impressive high res masterpiece in Kodak Eastman 5247, by Stanley Kubrick] Il montait un destrier qui avait belle allure, était vêtu d’un haubert argenté, et son heaume était couvert d’un mélange contrasté d’or et de pierreries ouvrés de main de maître selon son désir, au-dessus duquel était fixée, bien au centre, une roue qui se mettait à tourner lorsqu’il joutait. Une précieuse zibeline ornait tout son heaume brillant qui était parcouru, au-dessus de ses yeux, par une bande dorée d’une
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
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we know that you people of the valley will remember our Lincoln brigade. From this valley they say we are going but don't hasten to bid us adieu
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« Shinjuku Station, Tokyo, 1962 ». Estate of Y. Hiro Wakabayashi
1970s Nautical Cult
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] echoes through the air, a relentless drumbeat of death and desperation.
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
1970s Nautical Cult
« Shinjuku Station, Tokyo, 1962 ». Estate of Y. Hiro Wakabayashi

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