Placeholder: star Ginger Lynn Allen in Linocut: scene for the rated movie Blame it on Ginger (1986) star Ginger Lynn Allen in Linocut: scene for the rated movie Blame it on Ginger (1986)

@generalpha

Prompt

star Ginger Lynn Allen in Linocut: scene for the rated movie Blame it on Ginger (1986)

distorted image, malformed body

1 year ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Paul Gulacy, Black Widow Portfolio (SQ Productions, 1982)
[mix Madonna and Britney's allure] You’d think this was a Steve Ditko cover but it’s actually by Pat Masulli (pencils) and Rocco “Rocke” Mastroserio (inks) from Out of This World #9, published by Charlton Comics, August 1958.
#5 Original Art by Howard Chaykin (Vortex Comic, 1988): I am afraid of being thin. I am afraid of speed, quickness, lightness of being. I am afraid, I will be blown away in the wind, be insignificant, empty, invisible.
[art by WWE] Ashley Massaro leans in closer, her eyes locked on yours, a smoldering intensity in her gaze. "Your hotel room, huh? Sounds like you've got some very specific ideas in mind." She traces a finger along the rim of her glass, her nail polished a deep, glossy red. "I like a man who knows what he wants." She downs the last of her drink and slides out of the booth, her movements fluid and graceful. "Lead the way, Chuck. Let's see what kind of inspiration we can find together." Her voice
youthful Debi Mazar Corcos [art by Alphonse Mucha] Pinup Art-deco Recruiting Propaganda
[Uschi Digard] Black Kiss #5 Original Art by Howard Chaykin (Vortex Comic, 1988). A more mild scene from Chaykin's limited series, which drew criticism in the late 1980s for its over the top images. Created in ink over Zipatone and graphite on Bristol board with an image
SNIFFIN’ GLUE magazine high res photo cover for special issue #666 (May 2035) on traditional calligraphy brush, expressive line, ink washed on a woman figure. a ray of light in a world plagued by chaos due to geopolitical tensions and global warming., [a lot of writing and table of content issues like indie magazines]
an illustration for the comic "Danger in the bedroom: Pam Grier is Coffy" by Hugo Pratt and Rubén Pellejero
(high res photo in the style of Orion, by Masamune Shirow) Annie Oakley (1860-1926) was an American West performer and sharpshooter who became a symbol of the late nineteenth and early twentieth centuries. She was born in Ohio and started shooting at a young age, relying on her skills to support her family after her father died. Oakley rose to notoriety as a markswoman, winning a number of shooting competitions and starring in shows such as Buffalo Bill’s Wild West. She was known for her accurac
[wall street journal drawing portrait Hedcut style] of Dorothy in Oz
Tattooed arms sliced through a lightning-fast solo, fingers dancing nimbly across frets. Whenever Sabrina screeched a verse, Samantha echoed her anguished cries through her wailing notes. The crowd swayed hypnotically around them. But Samantha remained the blazing nexus at the eye of the storm. Eyes closed, she threw herself into each power chord with primal abandon. When the final crushing riff hit, Samantha unleashed a screaming solo to shake the rafters. Fingers blurred as her small form was
[Uschi Digard] Black #5 Original Art by Howard Chaykin (Vortex Comic, 1988). A more mild scene from Chaykin's limited series, which drew criticism in the late 1980s for its over the top images. Created in ink over Zipatone and graphite on Bristol board with an image

© 2026 Stablecog, Inc.