Placeholder: Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.” Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.”

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Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.”

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

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Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.”
You can’t talk about the ladies of the Wild West without Annie Oakley. At the height of her fame, Annie was a headliner in Buffalo Bills’ Wild West Show. Widely known as “Little Sure Shot” Oakley, she was an incredible sharpshooter and world-renowned master of dangerous trick shots. She could shoot a cigar from the lips of willing participants, and hit targets over her shoulder using only a mirror to aim.
ConceptSheet by Guy Borremans: 'The Prince of Bushido marial arts' - Mithril katana Design for the woman monk
The tale of the Gunfight at the O.K. Corral would not be complete without Doc Holliday and his common-law wife Katherine Haroney. “Big Nose Kate”, as she was known, was a prostitute by choice. In her words, she didn’t want to belong to one man or one house. Paradoxically, she later became the long-time partner of the legendary gunslinger and gambler Doc Holliday. Doc proclaimed her an intellectual equal, although their relationship was volatile. Sadly, the constant fighting between the two alm
Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.”
[art by Norman Rockwell, surf at Nazare] Clad in armor that bore the marks of countless battles, Roupinho stood tall and proud, his sword gleaming in the sunlight as if it were an extension of his very being. Forged by skilled artisans and imbued with the essence of his noble lineage, the sword was not just a weapon but a symbol of his duty and honor. Every day, Roupinho would seek solace and guidance in the presence of the Black Madonna. With reverent steps, he would ascend the worn stone steps
[art by Norman Rockwell, surf at Nazare] Clad in armor that bore the marks of countless battles, Roupinho stood tall and proud, his sword gleaming in the sunlight as if it were an extension of his very being. Forged by skilled artisans and imbued with the essence of his noble lineage, the sword was not just a weapon but a symbol of his duty and honor. Every day, Roupinho would seek solace and guidance in the presence of the Black Madonna. With reverent steps, he would ascend the worn stone steps
[art by Norman Rockwell] Clad in armor that bore the marks of countless battles, Roupinho stood tall and proud, his sword gleaming in the sunlight as if it were an extension of his very being. Forged by skilled artisans and imbued with the essence of his noble lineage, the sword was not just a weapon but a symbol of his duty and honor. Every day, Roupinho would seek solace and guidance in the presence of the Black Madonna. With reverent steps, he would ascend the worn stone steps leading to the
Rocco Bonetti, founder of a highly controversial sword-fighting school: “There was an Italian teacher of Defence in my time, who was so excellent in his fight,” writes fencing enthusiast George Silver, c. 1599, “that he would have hit anie English man with a thrust, just upon any button in his doublet.”
ConceptSheet [by Boris Vallejo]: ranger and his broad sword with AD&D statistics
The mid-nineteenth-century stage thus became a space and time for exploring and criticizing social ideas of femininity. Both Buszek and theater historian Theresa Saxon describe a period of often daring, sometimes chaotic work by women onstage. In the 1840s, Charlotte Cushman famously appeared in drag, playing roles including the male lead in Romeo and Juliet. The actress Adah Isaacs Menken was equally willing to self-promote with topless cartes de visite and images of her in stage costume or in
Annie Oakley (1860-1926) was an American West performer and sharpshooter who became a symbol of the late nineteenth and early twentieth centuries. She was born in Ohio and started shooting at a young age, relying on her skills to support her family after her father died. Oakley rose to notoriety as a markswoman, winning a number of shooting competitions and starring in shows such as Buffalo Bill’s Wild West. She was known for her accuracy and precision when it came to shooting small and distant

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