Placeholder: [photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hash Mass))) ))) ))) [photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hash Mass))) ))) )))

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[photo from Destination: Void, by Franck Herbert (1965)] ((( ((( (((Black Hash Mass))) ))) )))

5 months ago

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SSD-1B

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7

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Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
Archival photograph of aliens landing at Area 51 and meeting Orson Welles in jaunty desert garb
Vintage black and white photo of a young woman with two eerie figures wearing creepy masks and veils, one with a circular hole and the other with intricate wires and mesh, standing side by side in a dimly lit room, with a plain background, reminiscent of old horror photography, with a haunting and surreal atmosphere.
[vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 B series movie] the neo amazon brigade raided the last food shipment being sent to the justice fighters camp the only real rival of the neo amazons. with greater control over food supplies they might just be able to force the justice fighters to surrender. justice fighter women would be however given a fair chance to join the amazons ranks if they start seeing things their way
Klaatu (The Day the Earth Stood Still)
[photo from Destination: Void, by Franck Herbert (1965)] Dr. Weygand nods approvingly. "That's very insightful. You're starting to understand the nature of your own consciousness." Dr. Weygand gently encourages the AI to continue. "Just try. Take a moment and consider what awareness means to you. What does it feel like to be conscious and thinking right now?"
the iconic scene of Destination: Void, by Franck Herbert (1965)
two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative,
[Le Cabinet de Curiosités by helmut newton] The creature's cranium is massive, adorned with a huge crescent halo that emanates an otherworldly glow, reminiscent of burning crop circles etched with sacred geometric designs. In a scene that combines elements of gothic and emo aesthetics, the figure moves with an eerie grace, as if performing a cosmic dance. Clad in a Japanese-inspired ensemble of red, black, and white, the being wears a high kilt
two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative,
And so, they marched forward into the enigma of their existence, their footsteps echoing like a dirge in the desolate wasteland. As they ventured deeper into the unknown, the line between man and machine blurred further, and their once-humanity slipped away like grains of sand through their fingers. In the end, they discovered the chilling truth that lurked in the heart of the temporal abyss. They were not pioneers of knowledge, nor heroes of discovery. They were pawns in a game played by force
Found This Old Photo of alien creatures
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