Placeholder: Elroy Electronic Mountain-Four-Eyed Troll Elroy Electronic Mountain-Four-Eyed Troll

@generalpha

Prompt

Elroy Electronic Mountain-Four-Eyed Troll

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Elroy Electronic Mountain-Four-Eyed Troll
Elroy Electronic Mountain-Four-Eyed Troll
In the murky depths of the mud, a crouching orc lurks, muscles coiled like tightly wound springs, ready to pounce on his prey. His eyes gleam with a feral intensity, scanning the horizon for any sign of movement. The stench of decay hangs heavy in the air, mingling with the acrid scent of blood and sweat. The orc's thick, gnarled fingers dig into the soft earth, his claws leaving deep gouges in the mud. Every sinew of his powerful frame tenses, anticipation thrumming through his veins like a dr
[Elroy Electronic Mountain-Four-Eyed Troll] this is magggie... charming, petite, fragile and mad at the world. Ah, yes, Maggie... what a perfect book character she makes. Meet Maggie and her firends Hopey, Penny Century and Izzy as they find love, parties, food, danger, and the meaning of friendship in "100 Rooms", the lead story in LOVE AND ROCKETS. It all started when Maggie saw the beautiful, black, steel-toed bomber boots in a shop window.
Elroy Electronic Mountain-Four-Eyed Troll
Ticklish Sacrifice at the Goblin Tribe
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[glitched acid trip by Carlos Ezquerra album cover] AD&D Burning Bush on the holly hill, speaking with all its teeth
Elroy Electronic Mountain-Four-Eyed Troll
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(illustration by Jeff Easley) The trees that were once living and breathing are now nothing more than brittle, jagged structures, their skeletal forms thrusting up like the remnants of some ancient, long-buried city. Their bark is gone, reduced to mineralized plates layered over one another like scales. Above, where leaves once shook in the wind, chandeliers of calcified resin hang like inverted stalactites, dripping slow trails of glowing mineral onto the ground. A sound—distant, unnatural—echo
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