Placeholder: You say my time here has been some sort of joke That I've been messing around Some sort of incubating period For when I really come around but I'm cracking up And you have no idea No idea how it feels to be on your own In your own home with the fucking phone And the mother of gloom You say my time here has been some sort of joke That I've been messing around Some sort of incubating period For when I really come around but I'm cracking up And you have no idea No idea how it feels to be on your own In your own home with the fucking phone And the mother of gloom

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@generalpha

Prompt

You say my time here has been some sort of joke That I've been messing around Some sort of incubating period For when I really come around but I'm cracking up And you have no idea No idea how it feels to be on your own In your own home with the fucking phone And the mother of gloom

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2 years ago

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Luna Diffusion

Guidance Scale

7

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608 × 912

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You say my time here has been some sort of joke That I've been messing around Some sort of incubating period For when I really come around but I'm cracking up And you have no idea No idea how it feels to be on your own In your own home with the fucking phone And the mother of gloom
[Disenchantment, Queen Dagmar] spilt to slake her savage thirst. Only when a merchant lord dared question her judgement did Dagmar's lips peel back in a bone-chilling snarl. The oaf wilted as her words flayed flesh from mind, left shaking in a heap upon the floor. This display sated her black humor for now. With a flick of cerulean silk Dagmar rose, grace incarnate yet death given mortal form. Night's frigid wings spread across the cloudy sky as she swept from the hall in a flurry of snow. None
As she held the flower-poser aloft, its delicate petals seemed to shimmer with an otherworldly luminescence. Agatha's voice, filled with an unyielding conviction, resonated within the confines of the cave as she blessed the colossal octopus-robot with the ethereal power of hope, compassion, and the strength to defy the forces of darkness.
As she held the flower-poser aloft, its delicate petals seemed to shimmer with an otherworldly luminescence. Agatha's voice, filled with an unyielding conviction, resonated within the confines of the cave as she blessed the colossal octopus-robot with the ethereal power of hope, compassion, and the strength to defy the forces of darkness.
The bandages and jewelry wrapped the ghoul in a macabre semblance of its former glory. They served as a reminder of the beauty and opulence that had once adorned the creature, now twisted and tainted by its wretched transformation. As Selene clashed with the ghoul, her light dagger meeting the creature's jagged claws, she could not help but notice the tragic juxtaposition of the once-beautiful jewelry against the decay that surrounded it. It served as a haunting testament to the fleeting nature
[art by Alphonse Mucha] The central figure is a skeletal, death-like character wearing a dark, hooded cloak, armed with swords, and adorned with intricate mechanical designs. Beside them, a pale, ghostly woman with flowing hair and a tattered garment appears either frightened or desperate. detailed fantasy illustration in the style of Art Nouveau with gothic and steampunk elements.
[kupka] Wash away my troubles Wash away my pain With the rain in Shambala Wash away my sorrow I can tell my sister by the flowers in her eyes On the road to Shambala I can tell my brother by the flowers in his eyes On the road to Shambala
With growing desperation, rough hands set about the rote ritual. Fragrant beans surrendered to grinding teeth and pounding stone, remnants scattering upon the dank air in aromatic puffs. As smoke swirled with inherent portents, a raging heart stirred restlessly. Within the crude lair, imaginings of ruin floated on the fumes of percolating darkness. Scrawls upon stolen parchment told of enemies to vanquish and towns to despoil, but the unseen Taskmaster's demands loomed. Lips curled back in a sou
The bandages and jewelry wrapped the ghoul in a macabre semblance of its former glory. They served as a reminder of the beauty and opulence that had once adorned the creature, now twisted and tainted by its wretched transformation. As Selene clashed with the ghoul, her light dagger meeting the creature's jagged claws, she could not help but notice the tragic juxtaposition of the once-beautiful jewelry against the decay that surrounded it. It served as a haunting testament to the fleeting nature
[art by Alphonse Mucha] feature two central characters: a skeletal, death-like figure wearing a dark, hooded cloak, armed with swords, and adorned with intricate mechanical designs, and a pale, ghostly woman with flowing hair, wearing a tattered garment, who appears frightened or desperate. Ensure both characters are prominent and interact within the composition, capturing the contrast between the menacing, skeletal figure and the ethereal, ghostly woman.
And so, Agatha Holmes, with her flower-poser blessing and her resolute spirit, embarked on a path that would test the limits of her courage. With the colossal octopus-robot by their side, she and Kasparov set forth to reclaim their world from the clutches of tyranny, guided by the power of unity and the unwavering belief that even in the face of overwhelming darkness, the light of hope can prevail.
Pale nude Demonic Woman in open White Robes With Black Curved Horns. Ethereal Moonlight. Beautiful; Tragic; Delicate; Nightmarish; Eldritch; Detailed; Complex; Deep Colors; by Tom Bagshaw, by Michael Kaluta, by Beeple, by Todd McFarlane, by Ralph Steadman
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