Placeholder: Losing My Religion in space [The Jesus Incident (1979) by Frank Herbert] Losing My Religion in space [The Jesus Incident (1979) by Frank Herbert]

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Prompt

Losing My Religion in space [The Jesus Incident (1979) by Frank Herbert]

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Losing My Religion in space [Destination: Void (1966) by Frank Herbert]
[art by Richard Corben] Jesus with a lightsaber opening the belly of the devil
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[art by Zdzisław Beksiński] In the ethereal stillness of the celestial realm, Metatron, the chief of winged angels, descended. His radiant wings shimmered like starlight, casting a celestial glow across the heavens. Suddenly, a tremor rippled through creation. God struck the three hundred and ninety heavens, and they quaked in reverent awe. From His eyes, tears flowed—hot as molten fire—cascading down like fiery rain into the vast ocean below. The waters stirred, roiling with sorrow as waves ign
Losing My Religion in space [The Jesus Incident (1979) by Frank Herbert]
Drawn by Bernie Wrightson, colored by Scott Hampton: A hard day in earth's orbit. But everything ended well. The evening was a success. Armageddon.
(illustration by Jeff Easley) The shape is vast, segmented, layered in calcified plates that shift and rearrange themselves as you watch, as if alive with some distant memory of movement. The uppermost section—where a face might be—glows faintly, faint strands of pulsing light threading through the mineralized surface like trapped fireflies. The rest of its form ripples in slow, deliberate undulations, And then it moves. The entire thing tilts forward, toward you, the segments shifting, the pl
[1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] "A map is not just a guide, it's a promise to forge a path forward." - the journey is more important than the destination - The Map and the Territory
[art by John Blanche] AAs Atlas and Prometheus stood on the cliff of the planet with the blue sun and greenish clouds, a mysterious energy enveloped them, hinting at ancient power. The celestial backdrop painted a surreal scene as the ground rumbled and the sky crackled with electric energy. A portal shimmered before them, offering unknown promises and perilous mysteries. With a silent agreement, they stepped towards the vortex, ready to embark on a journey testing their strength and wisdom. The
[art by Richard Corben] Jesus with a lightsaber opening the belly of the devil
[art by John Blanche] As Atlas and Prometheus on the cliff of the planet with the blue sun and greenish clouds, enveloped by a mysterious atomic energy. The celestial backdrop, the ground rumbles and the sky crackles. towards the vortex, ready to embark. The blue sun cast a cryptic shimmer, leaving their fates hanging in the balance as they ventured into the swirling energies of the alien world.
Philippe Caza, 1987 Le congres de futurologie

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