Placeholder: Anton Semenov and Gerald Scarfe and Denis Openheim, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski Anton Semenov and Gerald Scarfe and Denis Openheim, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski

@HorrorAuC

Prompt

Anton Semenov and Gerald Scarfe and Denis Openheim, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski

blurry, bad composition, person in foreground, cat

1 year ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

8

Dimensions

4096 × 4096

Similar

Anton Semenov and Gerald Scarfe and Alexander Jansson, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski
A person stands in the middle of the picture and is troubled and doesn’t know how to walk.Extensive deforestation, fewer trees, otherworldly bas-relief glyphs on alien deserted planet giant natural rock formations, first contact concept art, abstract surreal sci-fi, by Colin McCahon and Jim Burns and Brian Despain, by H.R. Giger, silkscreened mind-bending illustration; sci-fi poster art, asymmetric, alien colors, vertical scroll of strange geometric symbols, complex biomorphism, technical biomec
by Tomasz Setowski and Gerald Scarfe, Leaving the Machine, machine dreamscape, surreal tribute to Pink Floyd, Album art, ink illustration, sharp focus, surreal concept art,
Straggle of mist-covered locks, great reflective key folded into itself and driven underground, reflective, Neosurrealism, by Dave McKean, by Tomasz Setowski, by Dariusz Klimczak, stylish, vivid colors, asymmetric landscape, expansive, surreal, Socratic method, melting acrylics, album art, horror
by Anton Semenov and Gerald Scarfe and Pawel Kuczynski, surreal nightmare-scape, Leaving the Machine, machine shaped like a horrifying bone furnace, Pink Floyd Album art, color ink illustration, sharp focus, surreal concept art, by Zdzislaw Beksinski
Surreal sentient knotted bread, by Anton Semenov and Zdzislaw Beksinski, surreal, strange, sharp colors, eerie, mysterious, sinister whimsey
H.R. Giger oil painting titled "CandyLand Autopsy", Lollipop guild dystopia, saccharine anthropomorphic candy dissection, bright primary pastel colors, dynamic diagonal composition, sinister atmosphere, weirdcore, by Zdzislaw Beksinski, by Kay Nielsen, octane render, creepy, by Jim Woodring,
The Last Outpost Of Life In A Dying Universe || surreal sci-fi, astral, cosmic, galactic, in the styles of Otto Rapp and Gerald Scarfe and Hipgnosis, intricately detailed, expansive, maximalist, mixed media, modern colors, epic, stunning, beautiful, magic realism, highest resolution
by Tomasz Setowski and Gerald Scarfe, Leaving the Machine, machine dreamscape, surreal tribute to Pink Floyd, Album art, ink illustration, sharp focus, surreal concept art,
Military lab with Liquid-filled tank with weird Eldritch biomechanical entity encased, sci-fi surreal art, by Brian Despain and Arthur Secunda and H.R. Giger, silkscreened mind-bending illustration; sci-fi poster art, asymmetric, Morse code dot and dash vertical texture, by Caras ionut
Prog rock album cover art, embryonic moon gloom, strange gurgling whisper low, morbid, surrealism, creepy, artistic, by Wotto, bright vivid colors, cel shaded, existential angst, sharp focus, sinister, by Pink floyd
: ̗̀➛˚₊· ͟͟͞͞➳❥, corrupt my tongue with sacrilege, by Yves Tanguy, H.R. Giger, stephen Gammell, surreal, emotionally disturbing, struggling inanimate objects try to rip themselves from the ground yearning for death, sinister yet playful, dark vibrant colors, colorful, macabre masterpiece that Francisco Goya would be proud of.

© 2024 Stablecog, Inc.