Placeholder: It's not that Circe's sisters were ugly, no. It was just that everything about them contrasted strangely with each other. Individually, each feature in the sisters' appearance was beautiful in itself—their large eyes, for example, could have stunned if they belonged to any other woman. But at the same time, everything about them was "too much" — the hair seemed too black, like clumps of impenetrable darkness, and combined with parchment-white skin and blood-red lips created an absurd, shocking i It's not that Circe's sisters were ugly, no. It was just that everything about them contrasted strangely with each other. Individually, each feature in the sisters' appearance was beautiful in itself—their large eyes, for example, could have stunned if they belonged to any other woman. But at the same time, everything about them was "too much" — the hair seemed too black, like clumps of impenetrable darkness, and combined with parchment-white skin and blood-red lips created an absurd, shocking i

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@RaMashka

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It's not that Circe's sisters were ugly, no. It was just that everything about them contrasted strangely with each other. Individually, each feature in the sisters' appearance was beautiful in itself—their large eyes, for example, could have stunned if they belonged to any other woman. But at the same time, everything about them was "too much" — the hair seemed too black, like clumps of impenetrable darkness, and combined with parchment-white skin and blood-red lips created an absurd, shocking i

2 years ago

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It's not that Circe's sisters were ugly, no. It was just that everything about them contrasted strangely with each other. Individually, each feature in the sisters' appearance was beautiful in itself—their large eyes, for example, could have stunned if they belonged to any other woman. But at the same time, everything about them was "too much" — the hair seemed too black, like clumps of impenetrable darkness, and combined with parchment-white skin and blood-red lips created an absurd, shocking i
дочь полудницы
До превращения в статую — она была женщиной в возрасте, но старательно это скрывавшей. Ее черты были резкими, глаза — колючими и пронзительными.
A girl with long, wavy dark brown hair, steampunk glasses on her head, purple eyes, dressed in steampunk clothes , Portrait of Van Gogh
The sisters' laughter was shrill, harsh, mocking, it seemed capable of extinguishing any spark of hope if the witches could find it in the dark and lonely heart of the Monster. Lucinda, as usual, spoke first. The monster, as if hypnotized, did not take his eyes off her face. The witch resembled a strange animated doll with a porcelain face and a shabby dress. Lucinda's voice was even more terrifying—mechanical, monotonous, devoid of intonation.
До превращения в статую — она была женщиной в возрасте, но старательно это скрывавшей. Ее черты были резкими, глаза — колючими и пронзительными.
До превращения в статую — она была женщиной в возрасте, но старательно это скрывавшей. Ее черты были резкими, глаза — колючими и пронзительными.
Circe was standing there, a touching creature with a red rose in her hand. The girl seemed so tiny in the huge arched doorway. Circe's eyes were sad, swollen and reddened from crying.
The sisters' laughter was shrill, harsh, mocking, it seemed capable of extinguishing any spark of hope if the witches could find it in the dark and lonely heart of the Monster. Lucinda, as usual, spoke first. The monster, as if hypnotized, did not take his eyes off her face. The witch resembled a strange animated doll with a porcelain face and a shabby dress. Lucinda's voice was even more terrifying—mechanical, monotonous, devoid of intonation.
До превращения в статую — она была женщиной в возрасте, но старательно это скрывавшей. Ее черты были резкими, глаза — колючими и пронзительными.
beauty and the beast, Portrait of Van Gogh
A girl with long, wavy dark brown hair, purple eyes, dressed in steampunk clothes, green scarf , Portrait of Van Gogh
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